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bronwen hyde - photographer

  • Home
  • metanoia
  • location
  • interior/exterior
  • minutiae
  • best of 365 days
  • sepulchre
  • curriculum vitae
  • institutionalised
  • simulacrum
  • facade
  • alternate worlds
  • fabrication
  • store
  • scrawl

untitled #17 [tower bridge, city of london, london, england, united kingdom, 1992]

love letters to london: love at first sight

February 5, 2021
[I originally posted this entry as early access for my Patreon patrons on 29 January 2021].

“London is a bad habit one hates to lose.”
An anonymous saying, as quoted by William Sansom in Blue Skies, Brown Studies (1961)


I first visited London as 1991 became 1992. My family took a "'round the world" trip through Europe, the UK and the US, with time spent in London and towns in Wales during the UK leg.

untitled #14 [houses of parliament, westminster, london, england, united kingdom, 1992]

As a child and teenager growing up in Australia in the late 70s to the early 90s, my humour and cultural tastes were heavily shaped by British television, especially British comedy. From the various series created by The Two Ronnies to The Young Ones. From The Goodies to Yes Minister and Rumpole of the Bailey. Monty Python, Blackadder, Absolutely Fabulous, Robin's Nest and Are You Being Served? I could go on, but I won't. I'm sure you get the picture.

untitled #20 [albert memorial, kensington gardens, kensington, london, england, united kingdom, 1992]

But my music and some of my television tastes were more focussed on America. At the time, I was a subscriber to Bop and The Big Bopper: magazines focussed on teen stars of US television and film, many of whom were named Corey. (Though I'm sure that had nothing to do with my first serious boyfriend being called Corey...) I was 13, going on 14. You have to forgive me the foibles of youth.

I'd been a fan of Bon Jovi, Poison and other American hair bands along with the 'teen dreams' of New Kids on the Block for a long time. Around the time of our trip, with the influence from my older brother, Rob, I'd started to get into the Violent Femmes, but more importantly, UK bands like The Cure and The Jesus and Mary Chain.

I had inspiring experiences in the US and in Europe while on our family trip. New Orleans, San Francisco and Los Angeles stand out in the US. And pretty much everything in Europe we saw was inspiring. But I was surprised that I found myself turning away from a (by then) more US-centric focus to a UK-centric one by the time I returned to Australia.

the old curiosity shop [holborn, london, england, united kingdom, 1992]

Over the following years, my music tastes continued to span the UK/US borders. But I found myself more and more drawn toward the UK with the advent of Britpop.

By the time I finished my Diploma of Illustrative Photography in 1997, I knew I wanted to live in the UK for a time and have the opportunity to travel within Europe. What can I say? I guess I'm a product of my parents with their itchy feet for travel and their own overseas lives in their younger days.

By 1998 I had realised the benefits of my family history. I had started saving to move to the UK in 1999. My Grandpa on my Dad's side was born in Stoke Newington in London, so I could live in the UK on an Ancestry visa with fewer restrictions than many of my friends.

horse guard [10 downing street, whitehall, london, england, united kingdom, 1992]

About that time, I ended up becoming entwined in a relationship. Thankfully, my then-partner was a fellow Anglophile (though I'm not sure I'd describe myself that way now). And he was also eligible for an Ancestry visa through his grandmother born in Wolverhampton. Consequently, we bought one-way tickets to London in May 1999 and arrived on 1 December the same year.

We were not at all unique in our intentions in those days. Australians in their early 20s were flocking to the UK in droves in the late 90s. While the 'working holiday visa' was reasonably restrictive, it served its purpose for adventurous Aussies (and Kiwis and South Africans) that longed to experience the other hemisphere up close.

elizabeth tower [houses of parliament, westminster, london, england, united kingdom, 1992]

For (what we originally believed to be) financial reasons, we initially settled outside London, in Bracknell. We then 'graduated' to Reading, where we met many friends I still hold dear now. Eventually, with the impetus of one of my then partner's friends and myself, we moved to London.

When we were eventually looking to move to London, those I worked with suggested we move to suburbs full to bursting with other Australians. Areas like Earl's Court. I couldn't think of anything worse. Though I continued to live with fellow Aussies (through my relationship and friendships), I didn't come to another country to spend all my time with my fellow countrymen! What was the point of coming all this way, if not to meet and mingle with locals?!

untitled #48 [ferndale road, clapham north, london, england, united kingdom, 2001]

Despite my concerns, we did end up in an area that was apparently heavily populated by Aussies. We lived near Clapham North Station, on a road that ran between Clapham High Street and Brixton Hill. I didn't realise at that time, but the area was apparently full of Aussies. Maybe it was camouflaged by the pizza place across the road that we sunk our (small) fortune into being run by a lovely gay French couple. Or maybe it was hidden by the friendly Urdu-speaking family running the off-license we lived above. I don't know. But it never ever felt like an Aussie enclave.

While I loved so much of my time in London during that period, I worked long hours in an office in Canal Reach, near Camden Town. Initially clearing a backlog of invoices, and then eventually, with my manager's permission, scanning my own photos and uploading them to my fledgeling website outside of hours. At that point, we didn't have a computer or the internet at home.

untitled #46 [clapham north, london, england, united kingdom, 2001]

When I was at home in the evenings and on the weekends, my time was mostly spent in relaxation. At home, in pubs or clubs, attending raves or travelling. Enjoying the company of my friends and housemates and the interiors of local boozers. And trying (unsuccessfully) to pretend the Champions League and EUFA Cup wasn't a thing.

near by lie the remains [bunhill fields, st luke’s, london, england, united kingdom, 2001]

I took surprisingly few photos of London during my time living here in 2001-2002. Most photos were taken in Bunhill Fields Cemetery, or in and from our flat in Clapham North. The majority were taken during travels with my parents during their 2001 visit. And during trips to Europe with David and our friends.

sweets & tobacco [clapham north, london, england, united kingdom, 2001]

But I developed a love for the city that didn't die when I decided I was ready to go "home". I remember looking at flight prices in November 2001 for a trip home for my birthday in April 2002 and suddenly, out of curiosity, looking at one-way flight prices. That night I went home and asked David if he was ready to go "home". He said he was and we booked our flights without telling our employers.

What I didn't know then was that about three months after my return to Australia, I would realise I had just needed a break. That a month away with family and friends in Australia, and maybe reconsidering my relationship, and finding a new job on my return, was what I really needed.

Within those three months, I knew Melbourne wasn't home. I should have stayed in London. But it took me about nine years to get back here.

john bunyan’s grave [bunhill fields, st luke’s, london, england, united kingdom, 2001]

I've been back in London for over ten years now, and I don't see myself leaving anytime soon. I've visited Australia twice in the past three years and both times been reminded that I love the people - my friends, my family - and aspects of the country. But it's not my home anymore.

London is my home.

untitled #35 [bunhill fields, st luke’s, london, england, united kingdom, 2001]

From foreign correspondent, a piece I wrote while living in Melbourne in 2006:

some days my heart is in london though, or somewhere not here.

i dream of returning to londinium. two year and some months spent in the kingdom; less than half of that lived in the grand city, but daily commute from reading to camden for months before i moved. its grey, wintry, polluted streets are like a lover you know is no good for you, but you want to be held by nevertheless. it's a city to love/hate and not be able to differentiate the taste of either. moreso, i have unfinished business with her; a wish to return on my own terms with a confidence i had not before.

promise made to self that my return would be on the understanding of permanence, not fleeting. and for now, that is a commitment i am unable and unready to make. for now i love being in my rainy city, and the freedoms that affords me, that the lady would deny: such as a dwelling larger than a box of cardboard, with no need of company.

i visited blake; or rather the stone that marks an empty grave. i found him at the tate and felt myself overwhelmed by such a fantastic volume of work. dante's inferno in illustration, amongst other works.

kinfolk bred me with feet hungry for the touch of new lands. eyes wide at the unknown, thirsting for new targets for my memory-catcher.

for now i enjoy being in the present, potentially visiting the isle of the dead in summer and satisfying my taste for one destination...

P.S. I apologise for the quality of the photos in this post. I don't currently have a scanner, and I don't have a proper set-up for rephotographing prints. Previously scanned versions I have are too small to share here. Over the past 6-12 months, I've been reminded that purchasing a scanner should be one of my Patreon goals. So I can share more of my older work with you and also for creating digital collages.

P.P.S. Some images in this post have been published before on previous iterations of my website. But many of them haven't been seen except in photo albums and piles of photographs by close friends many years ago.
In love letters to london, london, life Tags tower bridge, city of london, houses of parliament, westminster, albert memorial, kensington gardens, the old curiosity shop, holborn, 10 downing street, whitehall, elizabeth tower, clapham north, architecture, self-portrait, bunhill fields, cemetery, graves, tombs, death, signs, travelcard, transport for london, tfl, london, england
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005 bracelet

February 4, 2021

I'm not going to lie: today was hard.

The sketch was frustrating and difficult though I feel it's an improvement on yesterday's attempt despite a lot of erasure to get there.

I'm not really talking about that, though.

I got some good news about some low-paid contract work late in the day that felt like a small wave of relief. But getting out of bed felt even more difficult than usual today with all the ifs, buts, maybes and what-ifs circling around my head.

To add to my concerns about income, I've also been grappling with some housing stuff. It's now looming large on the horizon.

In reality, I know it's manageable. I know (or at least hope I know) that I have a reasonable landlord and we'll work this stuff out. He's been sound so far, and I'll have lived here for five years in May. I recognise I'm in a far better position than many in London, the UK and worldwide right now. This isn't a pity party. I'm just being honest.

Simon and I have talked about finding a place together for a while and had my redundancy and the pandemic not happened, we most likely already would have.

But it just feels, at the moment, like very little is in my control around a possible move. And home moves are stressful enough, even when you're enthusiastic and positive about it. Which I usually am. By the time I'm looking at new homes I'm so ready. This time I feel less so because stuff.

But I dragged myself out of bed to get my sketch for the day done before the window light disappeared. A call from Simon delayed me, though welcome.

Not too long after importing photos that I took of today's sketch, I got a more positive call. Since then, I've been dealing with "admin" which delayed me sharing this until the final hours of the day.

Though my drawing practice today felt frustrating, and I'd be lying if I said I didn't almost just stop. Looking back at the result now, hours later, it's definitely better than yesterday's attempt despite having to do a lot of erasing to get there.

It's far from perfect, but it's better. I am learning.

And funnily enough, I thought this subject would be easier to render. Because it was more graphic. Wow was I wrong...

So, for now, I'll take a break from this subject, but I suspect I'll attempt to render it again before the project is over. And maybe tomorrow I'll seek out something more organic or more simple to draw.

And maybe tomorrow everything will feel easier...

We'll see.

In drawings Tags bracelet, blue, drawing, sketch, freehand drawing, a sketchy practice, the 100 day project
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004 bracelet

February 4, 2021

Never fear, dear reader, I didn't miss a day!

I had completed and photographed my sketch for 3 February 2021 by 13:44 yesterday, but quickly jumped onto a long overdue FaceTime virtual pint with my friend, Scott Hortop, moments later.

We nattered for a pleasant while, then I had a chance to catch Simon quickly on the phone before we both went to sort out food.

In my case, a shower and quick chill-out were also in order before I tackled applying for another job.

Fast forward to more than 12 hours later and I've finally had a chance to edit the photograph I took of today's object and the snap I took of my attempt at sketching it.

In case you haven't noticed, today's attempt was an epic fail.

It all started off well enough: I worked from the hexagon(ish) front and (almost) centre of the bracelet. I worked a little to the left and the right to recreate the front part of the bracelet. But it all went downhill from there.

Even with a bunch of erasing and 'resetting' of the back section, I still failed to get the proportions right. You can see my slightly worse attempts behind the off-the-mark final drawing.

I'm also conscious the drawing doesn't even vaguely appear three-dimensional.

I'm not sure spending more time on it in that sitting would have helped. I also didn't want to hold up my catch-up with Scott any longer.

What I'm sure of is that I will give this another go later today (after I've slept!) And I'll think about how I work with the proportions before I get started. I think I need to make some initial marks to help me 'join the dots' better.

I've also thought about the reality that maybe I can manage these things better using graph paper to draw on or behind a lighter weight paper. I suspect I'll have a better sense of things that way.

I'm also aware that many artists I know personally and whose work I admire worked heavily with overhead projectors when creating their paintings. (Am I showing my age?!) So I know none of these things is considered "cheating".

For now, though, I'm going to try to persevere as I have been as. Aside from anything else, the pages in my visual diary are too heavy to even see graph paper through.

Despite my use of the term "epic fail", I see days like today (and every day so far) less as failures but more as opportunities. Opportunities to identify what I still need to learn and the areas I need to focus on improving.

Also worth noting: Yesterday I worked from the photo I took of the bracelet, not "from life". Unfortunately, because my execution was so bad, I'm not sure that helps!

Thank you to Kenno McDonnell for the bracelet that inspired yesterday's (and what will be today's) sketch. Unfortunately, it snapped when my wrist landed heavily on an armrest on the Tube on the first time I wore it out and about. But I have some superglue to finally try to mend it, so I will do that once I've managed to render it better in a sketch! I think the break adds to the drawing.

In drawings Tags bracelet, blue, drawing, sketch, freehand drawing, a sketchy practice, the 100 day project
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003 duck

February 2, 2021

Day three of The 100 Day Project for 2021.

I managed to squeeze today's sketch practice in, between prepping for an interview for some contract work and the interview itself.

I knew the light would be gone by the time the interview ended, and it was a good distraction before my first job interview in over four years.

Once again, I struggled to capture a photo of the subject that reflected the angle I was drawing it from.

I'm starting to think I should draw from the photograph, rather than from life, for this project. Simply because you and I, dear viewer, can't "grade" my progress accurately. You can't see what I'm seeing.

Despite that, it's evident my proportions are out. Mr Duck's tail is far too long in my drawing.

While the photo shows the hanging device for the ornament behind the little fella's head, the angle I drew from wasn't the same. The thread fell inside the curve of the back of his head.

Taken on its own, I don't think today's sketch is terrible. The silver topper is clumsily rendered, but without the source image to compare to everything else would be kinda okay.

But compared to reality (the accompanying photo or what I saw), it's definitely not true to life.

I would grade this a "C+. A fair effort. Must try harder."

Thank you to the brilliant artist, Merle Pace, for a not-so-secret Santa gift from many moons ago, that's still yet to find its place on a Christmas tree but has inspired (amateur) art.

Thank you also to those who have encouraged me and offered guidance. Your feedback and suggestions have been and will continue to be appreciated. I have so much to learn!

In drawings Tags duck, christmas decoration, green, glitter, sketch, drawing, freehand drawing, from life, the 100 day project, a sketchy practice
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untitled #233 [nowa nowa, victoria, australia, 2019]

near nowa nowa

February 2, 2021

untitled #234 [nowa nowa, victoria, australia, 2019]

untitled #235 [nowa nowa, victoria, australia, 2019]

[I originally posted these images as early access for my Patreon patrons on 26 January 2021].
In victoria, road trip 2019 Tags dirt road, road, landscape, rural, trees, road trip, green, nowa nowa, victoria, australia
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002 pinhole camera

February 1, 2021

Day two of The 100 Day Project for 2021.

Today's photo isn't exactly the angle I was looking at in real life, I'm not sure why! I took a few and didn't feel they looked exactly like what I was looking at!

The perspective is off in my sketch even then. Even I can see that!

I'm using a pencil from London Zoo (Zoological Society of London - ZSL) which doesn't seem particularly good for this purpose, tbh. I can't clearly describe it, but it's a bit 'waxy' in that it doesn't transfer properly to the paper. Is that a thing, illustrator friends?

I have a 6B pencil (I can't recall why!) which I used for some of the shading - especially in the wording - as I became impatient with the too-light ZSL pencil.

I need to learn more about shading techniques as my attempts are more akin to a child with a colouring book simply focussed on filling the space within the lines.

I will have to hunt around more, but it would appear I don't have a pencil sharpener! So I'll have to get one. The 6B pencil is in dire need of sharpening but worked fine for my purposes today. (Yes, I know I can use a knife, but I think I can stretch to the expense of a pencil sharpener to save my fingers - I'm dangerously clumsy!)

In drawings Tags pinhole camera, camera, sketch, drawing, free hand drawing, from life, the 100 day project, a sketchy practice
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001 avocado plant

January 31, 2021

I wavered about whether to participate in The 100 Day Project this year, especially since it started earlier than last year. The idea for the change of date is to give folks participating something creative to focus on in a winter when many of us are in lockdown.

My main reasons for participating in past years, whether I successfully completed the project or it's still a work in progress, were to:

  • challenge me to complete a project that had been on my to-do list for a while;

  • learn a new medium or technique (e.g. digital collage);

  • improve my skills in a particular medium (e.g. creative writing); and/or

  • inspire and motivate me to continue creating.

At the moment, I have a lot of projects in progress and new projects I'm planning to do during the year, so I definitely don't need creative inspiration or motivation!

I'm also conscious that projects I've set myself in previous years have been pretty involved, and therefore, time-consuming. I knew that if I were to participate this year, it had to be a project or daily exercise that wouldn't become all-consuming. It couldn't take hours out of my day to complete, and therefore overwhelm and detract from my other projects.

I felt it needed to be something that allowed me to learn a new skill or develop it in a more disciplined, but hopefully, fun and low-pressure way.

I had considered a graphic design project but knew what I had in mind would fall into the categories of 'involved' and 'time-consuming'. So I've decided to still work on those projects and build up those skills but in a way that's not daily or time-limited.

It also needed to be a project that wouldn't cost me anything as money is tight, at the moment.

So, I've set myself a project I'm calling 'a sketchy practice'.

I have a pencil, an eraser, almost 100 blank pages in a visual diary, and plenty of visual inspiration around me; from the mundane to the not-so-mundane.

My drawing skills leave a lot to be desired. It's something I've always felt I was terrible at, especially when compared to my younger brother and many of my friends. It was a big reason for me falling in love with photography initially. I had lots of visual ideas, but I didn't have the skill or natural talent to draw or paint them or otherwise get them out of my head.

So this project will force me to slow down for ten minutes or so each day to develop my drawing skills through practice. And, hopefully, improve my drawing from 'sketchy' to 'sketches'.

As I did last year, I'll posts these here publicly each day. And I'll share them to social media and my Patreon the same day because the project is time-bound, and because they'll likely be of varying quality.

Without being too strict on time, the aim is to spend ten minutes or more on a sketch each day and work within the following broad rules:

  • Drawings can be of objects around me, inspired by photographs (mine or others'), or from my imagination.

  • Where drawings are from a physical object or a photograph I'll include a photo of what I'm drawing from.

  • At this stage, they'll be grey lead pencil drawings on pages of a visual diary. If I still have my Derwent coloured pencils, maybe I'll graduate to colour drawings at some point.

  • They can be outlines or more detailed. It will depend on the subject, how skilful and confident I'm feeling, etc.

  • Use of an eraser is allowed, but the idea is not to be too much of a perfectionist.

  • They'll be shared (I'm predicting) in a square format to Instagram, my Patreon, here and my other social media accounts, ideally, on the day they're completed.

So, without further ado, here's day one's sketch of our young avocado plant along with an approximation of the view I was drawing from.

Constructive critique, tips and advice from those with talent and skills in drawing and illustration are most welcome!

In drawings, projects Tags avocado plant, leaves, nature, sketch, drawing, freehand drawing, from life, the 100 day project, a sketchy practice
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with open arms #105

with open arms #105

January 31, 2021
[I originally posted this image as early access for my Patreon patrons on 24 January 2021].
In stained glass, sepulchre, death, paris, france Tags stained glass window, christ, virgin mary, arch, religious art, blue, trees, mausoleum, cemetery, death, pere lachaise cemetery, paris, france
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untitled #176 [bruges, west flanders, belgium, 2014]

untitled #176

January 26, 2021
[I originally posted this entry as early access for my Patreon patrons on 19 January 2021].

So, I'm trying to be a bit more planned and less haphazard with what and how I share my work with my patrons this year.

Although there'll still be plenty of room for me to be spontaneous, I thought it would be helpful for me to have a bit of a pattern/routine in sharing some of my photography.

With that in mind, the past two Sundays I've shared early-access posts featuring newly edited images from my sepulchre series.

I'd been weighing up how to work these into a weekly programme. Having a hashtag-worthy concept without sounding too flippant, morbid, or offensive.

I'd started weighing up #CemeterySunday (I couldn't bring myself to alliterate to the point of #SematarySunday) but, being the semantic stickler I am, I couldn't settle on that. Some images would be from churchyards, graveyards or other burial places, not all would be taken in cemeteries.

I'll likely use #CemeterySunday appropriately on social media depending upon the subject. But, for Patreon, I'm thinking of this collection as #SepulchralSunday, falling back to the (now glaringly obvious) use of my overall series name for the alliterative and catchy collective term for these images.

#SepulchralSunday images will include those from my stained glass series, season's grievings curated series and any new curated series. As well as one-off photographs appropriate to the theme.

Another genre within my work 'upvoted' in my recent polls on Patreon (which are still open until the end of the month!) was my travel photography. So I'm going to default to social media type and declare this the first of my #TravelTuesday posts. It seems particularly appropriate to focus on these one day a week while most of us can't travel far from home.

As these are two genres strongly represented in much of my photography, it seems like an incentive to gradually work through editing images long overdue to see the light.

Without any particular catchy hashtag to accompany them, I'm hoping to share a more in-depth post with you each Friday. A small series of images focussing on a specific place or subject, likely accompanied by a bit more writing than I might offer on other days.

With these new plans, sepulchre and travel images won't be restricted to Sundays and Tuesdays*. But I hope they'll become regular features my patrons come to eagerly anticipate in their inbox.

Along with my new Love letters to London series, I'm hoping to write a new instalment of my postcards from another's life series to share with my patrons each month.

I have more plans for this year, but let's start with these.

And let's start with a view of Bruges taken in 2014.

*I realise that depending upon your location, these may actually be #SepulchralMonday and #TravelWednesday since I have a tendency to post in my evenings ;)
In belgium, patreon Tags canal, tree, houses, buildings, architecture, reflection, summer, bruges, west flanders, belgium, europe
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untitled #123 [toowong cemetery, toowong, queensland, australia, 2006]

untitled #123

January 24, 2021
[I originally posted this image as early access for my Patreon patrons on 17 January 2021].
In sepulchre, death, brisbane Tags grave, headstone, inscription, tree, toowong cemetery, toowong, brisbane, queensland, australia
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bluebell barn [east briscoe, baldersdale, county durham, england, 2012]

bluebell barn

January 23, 2021

In the wee hours of this morning, I was again reminded of the many reasons I love photography. In this case, the random connections it creates between complete strangers and the many and varied memories it can evoke for different people.

norfolk_girl_ came across my digital collage, waiting for godot, when searching for photos of farmhouses on Instagram.

I took this photo of Bluebell Barn on Briscoe Lane, East Briscoe, Baldersdale, as Kyle and I prepared to leave The Old Chapel after staying there and seeing the sights in the area for a week in February 2012.

Though we broke up nearly six years ago and I still haven't finished editing and posting all my photographs from that holiday, I have a soft spot for this area. It was a lovely break away.

norfolk_girl_ recognised it as the holiday home her family visited for many years, and it brought back many memories for her. Coincidentally, their last stay had also been in 2012.

When she commented on my post to tell me and tagged her family members to show them, I promised to share the original photo there later in the day. I said I would check if I had any more photos of the 'barn', but unfortunately, as I suspected, this was the only one.

As promised, I’ve now shared this on Instagram for her.

In england, winter reunion, photography Tags farmhouse, rural, landscape, winter, east briscoe, baldersdale, county durham, england
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watching the watchers

watching the watchers

January 21, 2021
[I originally posted this entry as early access for my Patreon patrons on 14 January 2021].

What are they watching?

Answers on a postcard.

(Or, you know, in the comments will do).

In self-portraiture, composite Tags self-portrait, portrait, faces, woman, clones, composite, chiaroscuro
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a supreme sea view

a supreme sea view

January 20, 2021
[I originally posted this image as early access for my Patreon patrons on 13 January 2021].
In composite, surreal, tasmania Tags caravan, water, seascape, landscape, littoral, blue sky, summer, surreal, art, composite, burgess cove, tasmania, australia
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untitled #1 [city of london, london, england, united kingdom, 2014]

love letters to london

January 18, 2021

Today I celebrated my tenth Londonversary!

And I've decided to commemorate my ten (consecutive) years of living in London by sharing a series of 'Love letters to London' with you during 2021.

The series will cover a selection of things I love about London. Each post will focus on a different aspect and will, of course, feature previously unedited and unpublished photographs to illustrate it.

For now, I'm thinking twelve instalments - one a month - but let's see how we go. There might be a monthly broad-themed post with a smattering of bonus posts throughout the year focussing on a particular place, for example.

Whatever the case, I'll be sharing them to my Patreon first, early access for patrons. I'll share them here and elsewhere around the web about a week later when the post becomes public on Patreon.

I'm hoping to share the first one with my patrons later this week, so now's a good time to become a patron!

In projects, london, architecture, patreon, love letters to london Tags skyline, architecture, 30 st mary axe, the gherkin, leadenhall building, the cheese grater, skyscrapers, city of london, london, england
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with open arms #152

with open arms #152

January 17, 2021
[I originally posted this image as early access for my Patreon patrons on 10 January 2021].
In stained glass, sepulchre, death, paris, france Tags stained glass window, christ, virgin mary, arch, religious art, colourful, cross, mausoleum, cemetery, pere lachaise cemetery, paris, france
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untitled #73 [grand union canal — paddington arm, kensal green, london, england, 2020]

reflections on an unprecedented year

January 7, 2021

Usually, I edit photos and write my end of year wrap-up blog on New Year’s Eve.

2020 was no different. Except I found myself a bit overwhelmed as I tried to string together my thoughts about the past year and edit photos to post in time for the midnight cut-off.

I actually posted what I wrote just before midnight that night, and it was live on here for about five hours. But after a very brief phone call with Simon, then about five hours of celebrating the coming of the new year virtually with my friend, Sophie, I decided to unpublish it and revisit it with fresh eyes.

The opening of my original post felt like too much of a political rant. And whilst I can often be heard ranting about politics, I decided that’s not what I want this post to be.

Since my wrap-up didn’t make it online in time for the end of the year in the form I’d intended, I ended up taking a little longer to put the post together. I wasn’t planning it to take this long, but I guess that’s what happens when life is a little stressful.

So here it is. I hope you enjoy it :)



By the beginning of 2020, my fractured ankle was gradually improving, and I could get out and about more.

teleporter [winter lights, cabot square, canary wharf, london, england, 2020]

In January, my friend, Khanisa, and I ventured out into the night to see the Winter Lights at Canary Wharf.

In February and March, Simon introduced me to more English towns and villages.

riverside drive [rickmansworth, hertfordshire, england, 2020]

We visited Rickmansworth.

untitled #41 [holy trinity church, wareside, hertfordshire, england, 2020]

Ware and Wareside.

I also managed to visit Tate Modern for the Dora Maar exhibition with friends from Australia. With heightened caution and hand sanitiser, of course.

Unfortunately, after eight years as a member, I recently had to cancel my membership until I have a steady income again.

angels watch over them [parish church of st john-at-hampstead, hampstead, london, england, 2020]

Simon and I took a wander around Hampstead on 8 March.

As we ate dinner at the King William IV pub after our explorations, we had no idea it would be our last pub meal for precisely four months.

untitled #7323 [camden town, london, england, 2020]

A couple of weeks later, Simon and I took advantage of the London lockdown to experience a drive through an eerily empty City of London and Camden.

Redundant?

In late March, I was made redundant.

I’ll say no more than it was one of the best things to happen to me in 2020, a year that was mostly okay for me, despite the pandemic.

Hardly!

While I may not have brought in a wage during much of 2020, I found other ways to keep myself occupied.

after the deluge

The 100 Day Project started on 7 April and seemed a perfect opportunity to explore something new.


Namely, cut out and keep. 100 digital collages created using a mix of illustrations and paintings in the public domain, in many instances combined with my own photos.


The project provided a welcome distraction for me from everything else going on at the time. And — based on the results of my Instagram Top Nine for 2020 — chimed with many of my followers. It also earned me likes from one of my most admired filmmakers, Guy Maddin, which was a bit of a highlight for the year.

The natural world

Along with toilet paper and pasta shortages, and the joys of queuing, 2020 brought me an increased appreciation of nature.

I learned a lot last year by slowing down and observing the world around me.

untitled #133 [monken hadley common, barnet, london, england, 2020]

Wandering through the woods with Simon and my camera.

Redesigning our shared garden with Simon and my neighbour.

Learning about and growing plants in my flat.

I talked a lot to plants. I got excited about new leaves, flowers, growth of any kind. And I squeed when I saw my babies flourishing in new ways. It was kind of embarrassing…

Not pictured: our sunflowers, Anya potatoes, ruby red Swiss chard, leeks, coriander, parsley and thyme, all of which came and went in 2020, and our hyacinths, spider plant, flaming Katy, ivy and avocado, which are all gradually coming along.

Parklife

Though our wanders in 2020 rarely terminated at a pub — as they would have done in previous years — we visited and revisited many parks for our daily permitted exercise.

on the precipice [monken hadley common, barnet, london, england, 2020]

We visited Monken Hadley Common and Hadley Wood multiple times.

untitled #399 [hampstead heath, hampstead, london, england, 2020]

I finally made it Hampstead Heath. Not once, but twice!


The second visit was part of a socially-distanced meander with Julie and her Simon from my place via Alexandra Park and Palace, part of the Parkland Walk, Hampstead, Highgate Wood and Kentish Town.

untitled #878 [pondwicks meadow, amersham, buckinghamshire, england, 2020]

We popped over to Amersham for a day out on our anniversary, discovering Pondwicks Meadow.

rising to the occasion

And we made a new friend in The Stumpery at Golders Hill Park.

Not pictured: Finsbury Park, Gillespie Park Ecology Centre, Theydon Bois, Walthamstow Marshes, Walters Close Open Space in Cheshunt, Hampstead Heath Extension and Minchenden Oak Garden.

The Magnificent Seven

When restrictions allowed, Simon and I continued our visits to London’s Magnificent Seven cemeteries.

resting [tower hamlets cemetery park, mile end, london, england, 2020]

We belatedly celebrated my birthday with a visit to Tower Hamlets Cemetery Park in April after finding Kensal Green Cemetery was closed to all but those attending funerals.

untitled #629 [highgate cemetery west, highgate, london, england, 2020]

As I’m a Friend of Highgate Cemetery Trust, we had the chance to be guinea pigs for the new self-guided tours of the west cemetery in July.

While I will always recommend the guided tours there, it was lovely to wander (mostly) at will through the overgrown hillside cemetery.

untitled #252 [kensal green cemetery, kensal green, london, england, 2020]

Fortuitously, in December I happened to see Gasometer Gal’s tweet that Kensal Green Gasworks had been reduced to one gasholder. The penny finally dropped: Kensal Green Cemetery was the one we’d seen set against gasometers featured in episodes of the Channel 4 TV series, Misfits!

So we celebrated an early Christmas Day our way visiting the Kensal Green Cemetery and gasworks. My early Christmas present was two of my obsessions — cemeteries and gasometers — colliding.

Hopefully, this year we'll visit the two I haven't been to before: Brompton Cemetery and West Norwood Cemetery. And maybe we'll revisit some of the others.

Last gas-p


Which brings me to the loss of more London gasometers in 2020, and the ones I managed to capture last year.

The New Southgate Gasworks disappeared by about mid-2020. I had photographed them previously but missed documenting their dismantling.

The remaining gasholders at Bethnal Green/Haggerston will be incorporated into a new residential development similar to those at Kings Cross. I recently signed a petition to influence how it will be done.

untitled #141 [kensal green gasworks, kensal green, london, england, 2020]

As for Kensal Green Gasworks, one gasometer was removed in 2020. It's unclear if the remaining one will disappear from the skyline or if it will be incorporated into the new development. It seems developers behind Gas Holder Park in Kings Cross may be involved.


Here's hoping the canals in Kensal Green and Haggerston can preserve a little of their iconic appearance.

Long-distance dedications

I hadn't expected to see my parents again in the flesh this year. So, despite the travel restrictions caused by the pandemic, not much changed in that respect.

However, the extended Victorian lockdown meant Mum and Dad were cut off from the rest of our family for most of the year. And due to temporary restrictions at my Mum's nursing home, Dad was unable to visit her at one stage.

Mum likely didn't notice and has been, thankfully, otherwise unaffected so far. But all of us being so distant from Dad was hard. I'm hoping Australia can continue to maintain tight control on the coronavirus and avoid that happening again.

On the upside, it meant Dad and I had long meandering conversations on both serious and frivolous subjects once or twice a week on Skype most of the year.

smilers

The wonderful nursing home staff made it possible to Skype with Mum on her occasional good days.

Instant group messaging has also been a saviour, especially in times of family medical emergencies.

New discoveries I made in 2020:

  • Being an introvert has its advantages during a pandemic, going in and out of lockdown.

  • I have some lovely neighbours, and we're actually a pretty strong community in my street and others nearby.

  • Watching friends and acquaintances get caught up in conspiracy theories is not helpful for my mental health.

  • There are some tasty no and low alcohol ciders out there. (Though why are they often as or more expensive than full strength ones? And when will cider makers start selling 10 can cases of them rather than individual bottles?)

  • While I'm definitely still a dog person, maybe cats have a certain charm.

lifeguard

Looking forward to it (whatever it is)


Though there’s a great deal of uncertainty ahead, I’m still optimistic for 2021. Not like “this will be my best year ever”, just a cautious optimism for now.

I’m not overly hopeful for much travel this year. I’ll settle for a weekend away somewhere within the UK at some stage. We’ll have to see what the latter half of the year brings.

Maybe vaccinations will open the country up faster than we expect. I’m not counting chickens yet though…

simon

I’m hoping Simon and I can make a home together.

And I’m also hoping I can build on the work I’ve done over the past nine months to head closer to self-employment through my photography, writing and other endeavours. Not least due to the ongoing pandemic, I’m keen to be more self-sufficient in terms of my income.


Patronise me

If you'd like to help me with that there's a smorgasbord of ways:

Patronise me.

Buy my work! Contact me directly for print purchases. I hope to get my store online soon.

Buy my products through RedBubble.

Commission some work: photographs, collages, writing. Let’s chat!

Hire me for some photography (not weddings, sorry!), writing, design and/or digital marketing.

Got something else you think I'd be perfect for? Hit me up!

Thank you to my wonderful patrons, my print customers and those who used my marketing and website expertise in 2020.

I hope this year turns out better for all of us than we might expect and I send you love. x

In life, photography Tags kensal green, winter lights, canary wharf, rickmansworth, wareside, parish of st john-at-hampstead, hampstead, camden town, digital collage, botany bay, monken hadley common, gardening, plants, ladybird, hampstead heath, pondwicks meadow, squirrel, cemeteries, tower hamlets cemetery park, highgate cemetery, kensal green cemetery, kensal green gasworks, cat, simon
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star-graving

star-graving

December 25, 2020
[I originally posted this image as early access for my Patreon patrons on 24 December 2020].

This is the final season’s grievings image I’ll be sharing to my blog in 2020.

I hope you’ve enjoyed this festive mini-series.

In season's grievings, sepulchre, death, london Tags grave, headstone, christmas, wreath, stars, baubles, decoration, ornament, cemetery, red, green, kensal green cemetery, kensal green, london, england
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decorating the tree

decorating the tree

December 25, 2020
[I originally posted this image as early access for my Patreon patrons on 24 December 2020].
In season's grievings, sepulchre, death, london Tags grave, headstone, christmas, christmas tree, flowers, decorations, ornaments, cemetery, red, green, kensal green cemetery, kensal green, london, england
Comment

deck the halls

deck the halls

December 25, 2020
[I originally posted this image as early access for my Patreon patrons on 24 December 2020].
In season's grievings, sepulchre, death, london Tags grave, graves, cross, christmas, christmas tree, decorations, ornaments, wreath, tomb, cemetery, trees, red, green, kensal green cemetery, kensal green, london, england
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untitled #11 [redlands, queensland, australia, 2007]

it’s time to light the lights

December 25, 2020
[I originally posted this entry as early access for my Patreon patrons on 19 December 2020].

I took these photos of a house in the Redlands area of Queensland, just outside Brisbane, on my Dad's birthday in 2007.

untitled #10 [redlands, queensland, australia, 2007]

My parents and I went for a drive around the local area to see the houses lit up for Christmas while I was staying with them over the holidays.

untitled #9 [redlands, queensland, australia, 2007]

I'm not a particularly Christmassy person, but I finally edited these a week ago.

It feels like a good time to share them with the world, or else I fear they'll never make it online.

Merry Christmas, if that’s your thing x

In queensland Tags christmas lights, christmas, festive, lights, house, night, suburbia, redlands, queensland, australia
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