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bronwen hyde - photographer

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  • institutionalised
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  • fabrication
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  • scrawl

children's mental health gallery

December 28, 2022

I'm pleased to share three of my self-portraits are included in the Children's Mental Health Gallery, created by The Royal Children's Hospital Melbourne.

Raising awareness of mental health through art, the gallery showcases artwork about mental health experiences.

They are dedicated to amplifying and celebrating lived experiences of mental health challenges and recovery.

The gallery launched on 10 October 2022 as part of Mental Health Week 2022 and will be accessible for six months until 10 May 2023.

I strongly encourage you to take a look at the gallery. There's a variety of photography, painting, collage and sculpture, as well as audio and written works.

The artwork comes from a mixture of those supported by The Royal Children's Hospital and those, like me, who were invited to contribute and have lived/living experiences of mental health challenges and recovery.

(I intended to share this back in October but, you know, life).

In exhibitions Tags self-portraiture, photography, art, exhibition, gallery, online exhibition, virtual exhibition, royal children's hospital, mental health, mental health week 2022
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my bewildered mind

my bewildered mind

June 9, 2022
[I originally posted this entry as early access for my Patreon patrons on 9 May 2022].
In wallflowers, self-portraiture Tags self-portrait, self-portraiture, woman, figure, slip, hair, hands, blue, floral, wallpaper, movement, interior
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built on air and ghosts

built on air and ghosts

February 12, 2022
[I originally posted this entry as early access for my Patreon patrons on 12 January 2022].
In wallflowers, self-portraiture Tags self-portrait, self-portraiture, woman, figure, hair, hands, movement, floral, wallpaper, blue, interior
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gracefully insane

gracefully insane

February 1, 2022
[I originally posted this entry as early access for my Patreon patrons on 1 January 2022].
In wallflowers, self-portraiture Tags self-portrait, self-portraiture, woman, hair, hands, figure, slip, floral, wallpaper, blue, interior, movement
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someone to pour myself into

someone to pour myself into

December 31, 2021
[I originally posted this entry as early access for my Patreon patrons on 30 November 2021].
In wallflowers, self-portraiture Tags self-portrait, self-portraiture, woman, movement, dress, pink, floral, wallpaper, home, interior
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in the room we will find each other

in the room we will find each other

December 30, 2021
[I originally posted this entry as early access for my Patreon patrons on 30 November 2021].
In wallflowers, self-portraiture Tags self-portrait, self-portraiture, woman, movement, dress, pink, floral, wallpaper, home, interior, diptych
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a good mixture of nothing and everything is eating up my head alive

a good mixture of nothing and everything is eating up my head alive

December 29, 2021
[I originally posted this entry as early access for my Patreon patrons on 29 November 2021].
In wallflowers, self-portraiture Tags self-portrait, self-portraiture, woman, movement, slip, green, brown, floral, wallpaper, interior, wallflowers, keith grove
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a collection of dismantled almosts

a collection of dismantled almosts

December 24, 2021
[I originally posted this entry as early access for my Patreon patrons on 24 November 2021].
In wallflowers, self-portraiture Tags self-portrait, self-portraiture, woman, pink, dress, floral, wallpaper, movement, home, interior
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a spineless woman in a cage of bones

a spineless woman in a cage of bones

December 23, 2021
[I originally posted this entry as early access for my Patreon patrons on 23 November 2021].

The first image from a new series of self-portraits I started creating in September.

The series is titled wallflowers.

In wallflowers, self-portraiture Tags self-portrait, self-portraiture, woman, movement, hair, floral, wallpaper, brown, green, interior, keith grove
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child psychology

child psychology

November 29, 2021
[I originally posted this entry as early access for my Patreon patrons on 29 October 2021].
In self-portraiture Tags self-portrait, self-portraiture, woman, kitchen, book, house, interior, keith grove
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cat in a lap

cat in a lap

November 20, 2021
[I originally posted this entry as early access for my Patreon patrons on 13 November 2021].

Shiloh photo-bombing another self-portrait shoot back in September on my last day of cat-sitting her and Susie in West London.

In self-portraiture Tags self-portrait, self-portraiture, portrait, woman, cat, tabby, shiloh, interior, wallpaper, brown, green, movement, keith grove
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barefoot and pregnant

barefoot and pregnant

November 2, 2021
[I originally posted this entry as early access for my Patreon patrons on 2 October 2021].
In interior / exterior, self-portraiture Tags self-portrait, self-portraiture, woman, kitchen, house, courtyard, exterior, keith grove
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no girls today

no girls today

October 16, 2021
[I originally posted this entry as early access for my Patreon patrons on 16 September 2021].
In self-portraiture Tags self-portrait, self-portraiture, woman, couch, interior, movement, keith grove
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ca(p)tivated

ca(p)tivated

September 24, 2021
[I originally posted this entry as early access for my Patreon patrons on 17 September 2021].

So, the cat's out of the bag...

The new side hustle I somehow fell into is cat-sitting! :o

For anyone who's known me more than a few years, I've never previously been a cat person. I was always a dog person.

But, over the past I-don't-know-how-many-years, the idea of cats has stopped repulsing me. I've realised I'm an "animal person". Not just a dog person.

So, when friends asked if I'd be willing to cat-sit for them for almost three weeks - even though I'd never met their feline companions - my first questions were:

  • Will your home make a photogenic backdrop for self-portraits, and are you okay with me sharing your home on the internets?

  • Can I bring my iMac as I don't currently have a laptop?

  • Are you okay with me disappearing for four days as I already have time out of town booked during that period?

  • Will it cost me anything?

The answers to all those questions were more than satisfactory, so I ventured across to West London at the beginning of September to meet my potential gaolers.

Not only were the kittehs cute and friendly - I bonded immediately with Susie, who's apparently the most hesitant with strangers (not pictured; this is Shiloh). But I fell in love with the house.

The colour schemes and decor. The abundance of bookshelves and bookcases. The furnishings. The hidden doorways (literally, not figuratively). The decorations. EVERYTHING.

My only real struggle since relocating almost a week ago was getting in front of the camera again. Which is largely due to my weight (pun intended).

But I'm tackling that - mentally and emotionally - and from the one shoot I've done so far, I have a selection of photos that don't offend me. I'm hoping to do more tomorrow and at the beginning of next week. And to share more with you.

I just need to be gentle with myself.

I'm also dealing with some worrying family medical news from Australia. And some unexpected flat stuff. And, obviously, having to continue to pick up client work.

But the kittehs help.

They 'meow' and make Mogwai-like sounds at me when they're ready for breakfast (and they've realised that won't be at 5:00, so they're patient for when I'm actually awake).

They make me laugh at their tap-drinking antics even though I can't entertain those antics for long.

And I haven't killed any fish yet.

And I've had the pleasure of giving friends a grand tour of this lovely haven I'm in until the end of the month.

If anyone wants to remind me how squatters' rights work... ;)

Or, if you have a photogenic mansion/house/flat/caravan/van and a pet or pets you need looking after while you go on holiday, DM me.

I'm open to payment in photo ops, pet love and booze ;) (Money's also good).

Also, for you folk who thought I'd struggle with collaborating artistically with cats: Shiloh joined me on the couch of her own volition. Without any real coaxing and, definitely, no kitteh treats. The beeping of my self-timer was all she needed to focus her laser-sharp gaze for this portrait :)

In self-portraiture, life Tags self-portrait, self-portraiture, portrait, woman, cat, tabby, shiloh, couch, interior, cat-sitting, keith grove
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prismatic

prismatic

September 16, 2021
[I originally posted this entry as early access for my Patreon patrons on 9 September 2021].
In self-portraiture Tags self-portrait, self-portraiture, face, hands, movement, night, mental health
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daysleeper

daysleeper

September 11, 2021
[I originally posted this entry as early access for my Patreon patrons on 4 September 2021].
In self-portraiture Tags self-portrait, self-portraiture, woman, slip, portrait, bed, bedroom, home, lilac, green
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too much stress!

too much stress!

August 11, 2021
[I originally posted this entry as early access for my Patreon patrons on 4 August 2021].

Much delayed, I've made my book, darkness & light - a collection of 109 of my 366 days self-portraits - available again on Blurb.

A friend of mine who missed buying it when it was first available asked me about it. I don't even know how long ago now. On the back of that, I've finally made it available for a while again.

How long it will be available is yet to be seen. But if you didn't snap up a copy (or didn't know about it) back in 2008, now is your chance to be one of a limited number of folk to have your sweaty palms on a copy.

Because it's print on demand, signed copies are complicated but not impossible, if you want that. Email me at propaganda@bronwenhyde.com if this takes your fancy, and we can work out the logistics.

This is an outtake from the project I edited tonight, almost 14 years later.

The final image for the project for this day was a diptych entitled peeping tom, inspired by the 1960 Michael Powell film of the same name. It was a brilliantly creepy film, so well made, and tapped into my love of photography and psychological thrillers/horrors.

In publications, self-portraiture Tags self-portrait, self-portraiture, outtake, 365 days, 366 days, book, darkness & light, self-publishing, blurb
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untitled #238

i have an unhealthy relationship with my body

July 10, 2021
[I originally posted this entry as early access for my Patreon patrons on 4 July 2021].

CW: eating disorders, body dysmorphia, body-shaming, fat-shaming

This piece also includes language some may find offensive.

I have an unhealthy relationship with my body.

It started just as I was becoming a woman. At least, as much as I recall, though maybe there were other signs before I can remember. I would be surprised if there weren't.

But the first instances that come to mind of my unhealthy relationship with my body were around 11 years old. Definitely by the time I finished primary school.

It started with a combination of examples set out for me, some from family, some from glossy magazines. You know, the way most of us learn and internalise these things from a young age. Not all are intentionally put there to harm us, but others are seemingly as old as time.

I first remember discussing healthy weight ranges with my Mum. I don't know how it came up. I don't even remember weighing myself much at that age. I had to go into my parents' ensuite to do so. I don't recall a scale in the main bathroom when my brothers and I were kids. At some point, maybe I asked my Mum how much I should weigh. Perhaps she looked it up to see what was healthy for my height and age.

I wasn't overweight; I was slim. I was active in the school playground. I played sports: netball, Newcomb ball and softball. And I was one of the few girls in my grade five and six classes who would go in to catch the ball when we played Kanga cricket. I usually tried out for various athletic events for interschool sports: the 100m, 400m and 800m races, relays and, hilariously, looking back, high jump. At the time, I was around the second or third tallest girl in my year, though I never grew any taller after I turned eleven.

But I remember my Mum taking a magazine out of the bottom drawer of her bedside cabinet to show me a graph. I was near the bottom of the healthy weight range for my height.

I never asked my Mum why she kept her Slimming magazines tucked away where she did. It was the kind of place someone might hide away pornographic magazines, not health magazines. So, to this day, I don't know if she kept them there because it was handy for her to read the articles.

Or if she was ashamed of buying them and reading them because she felt shamed by her weight issues.

Or if she kept them there to avoid setting an example of body-shaming to her daughter. Maybe she didn't want me to be obsessed with weight loss and body shapes and sizes and fixate on such things as an impressionable pre-teen.

If it was the latter, unfortunately, it didn't work.

I didn't become obsessive about weighing myself straight away. I still don't recall weighing myself every day at that point.

But I know I regularly went to her drawer to pull out that magazine to check where I fit on the graph whenever my weight wavered. I checked and re-checked it to reassure myself. Eventually, all I needed to remember was to stay as close to eight stone as possible. Then all would be okay.

My discovery of that graph would have coincided with a friend introducing me to Dolly magazine.

Though we were only about 11 and 12, her sister was a couple of years older and already deep in the world of glossy teen and fashion magazines.

I was still crushing on teen heartthrobs in the pages of Smash Hits, Bop and The Big Bopper and reading magazines that were supposedly more healthy for young women, like Girlfriend.

My friend introduced me to Dolly, Teen Vogue, I think, and other magazines handed down from her sister. Magazines to ease young girls into the constant mixed messages they would become accustomed to as they grew older. Glossy pages full of articles about loving yourself whilst simultaneously working out which parts (physical, emotional and mental) of yourself to hate this week/month/year and what the best ways of covering up those shortcomings were: makeup, creams, tablets, fashion.

Like most teenage girls, I internalised all of these expectations pretty quickly. And what the magazines taught me was rapidly reinforced in the halls of my high school.

In year eight, when a boy I fancied told me I had a "fat arse" as I walked up the stairs into the building in front of him, it played over and over in my mind. For most of the following three years, I wore oversize t-shirts over my jeans to cover my "fat arse". I don't know what I weighed then, but it was unlikely to be much over 55kg, but likely less.

At 16 or 17 years old - the earliest I would have been allowed to use a public gym - my younger brother and I signed up at a gym in the small town where we had moved.

By the time I was in year 12 and allowed to wear casual clothing to school every day, I realised I had a flat stomach. And my arse wasn't fat. So I finally gained the confidence to wear midriff tops and my jeans down on my hips.

dance dance dance

For the three years I was at college, I spent almost as many hours per week dancing in nightclubs as in the classroom. I spent three to five hours a night, three to five nights a week, dancing to indie, alternative, retro and disco hits with friends.

When I finished college, I managed to get a much-reduced price on a gym membership. I got back into exercising regularly there as well as on the dancefloor.

By the time I was 18, I had internalised an image of how women should look. So much so that I didn't flinch when a guy I regularly went out dancing with would point at and ridicule other women around me for having "cunt-pots". All I thought at the time was how good it was that I didn't have one.

Another friend put up "pool rules" for his inflatable pool bought with his redundancy payment. The first rule was "No fat chicks", and the last rule was "Definitely no fat chicks". I still didn't flinch. I wasn't a "fat chick". Why should I?

When a guy I slept with bragged about how he'd never had a girl in his bed who weighed over 60kg, I was once again proud I didn't weigh over 60kg.

It was only later, when I got together with a woman I met through the last guy, that I thought about how fucked up his thinking was when she pointed out that she had been in his bed and she weighed over 60kg. She was taller than me, far from overweight and gorgeous. There was a shared sense of victory in her breaking his rule without him having a clue.

blue

It wasn't until about 1998 that I realised how much interest I'd lost in food. Up until about 14 years old - with some exceptions - I enjoyed most food. My parents always served up hearty, delicious meals or took us to quality restaurants to sample a variety of world cuisines.

Sometime in my early teens, I switched to ordering entrees instead of main meals most of the time when we ate out. That may have given me space for desserts on some occasions, but, equally, I may have declined dessert. I claimed it was because my stomach wasn't that big. An entree-sized meal filled me up. And, arguably, it did. But it was ingrained in my mind to eat less; stay slim.

When my parents started running a motel and restaurant in country Victoria when I was in year 10, I lost more interest in food.

Most of what we ate the chefs prepared in the kitchen at the restaurant. By November 1993, I had become vegetarian. There were usually one or two vegetarian dishes on the menu at any one time, or the chefs would knock me up a quick and easy pasta. Or I'd have a bowl of fries. Or microwaved veggie burgers, sans bread or fillings.

If you have a limited range to choose from, even the most delicious meal becomes boring and repetitive. I loved snow peas until we lived there, then I just found them uninspiring. The only element I never tired of was Hasselback scalloped potatoes.

When I was at college and in my first year of working, I spent more time drinking Coke and cider and dancing than preparing food. I wasn't unhealthy. I still ate, but it was purely functional.

I rarely ate much before I went out for a night of dancing or before a session in the gym. I still won't on the occasions I do those things. Dancing or working out on a full stomach has always disagreed with me.

But between college, then work, and dancing and sleeping, there wasn't much time left for eating. At the time, I didn't see this as a problem.

However, while I completed a 365 Days project (a self-portrait a day for a year) in 2007, I looked back on a short video I made for college in 1996.

In retrospect, I think it's safe to say I was verging on anorexic. The video consisted of repeated loops of footage: me in the corner of my bedroom in a huddled position, the refrigerator door opening on an empty fridge, and the soundtrack of In Heaven (Lady in the Radiator Song) from David Lynch's film, Eraserhead.

Add a mild case of alcohol poisoning on a near-monthly basis, and I obviously wasn't in a good place at the time.

in heaven everything is fine

When I incorporated a still from the footage in my 365 Days project, I was reaching back across time to try to reassure my younger self; to attempt to help her. It took me those 10 to 11 years to see her as she was then.

Until I was about 22, I had never weighed over 53kg. And then he started feeding me.

In 1998, I started dating a partner who loved cooking. Who loved food. He'd had and has continued to have battles with food and his body, but he rekindled my taste for food after about six years. If I found a meal I enjoyed out and about, he'd figure out how to make it for us. He'd always make far more than we could eat, but somehow we would eat it all. He would make it in the belief any leftovers would be eaten the next day, but they never stayed in the dish that long.

We were both working and saving to move to the UK within six months of officially becoming a couple. We also spent three months housesitting for his parents on the outskirts of Melbourne. So our activity levels dropped dramatically. We hibernated a lot during the Australian winter, and we spent a lot of time in front of the television.

My weight went up, though not drastically so. I was simultaneously comfortable and uncomfortable with that. I still didn't go above the upper ranges of the healthy weight range I'd memorised from my early teens throughout our relationship.

Between 2002 and 2007, various factors came into play that contributed to my weight gain. Depression, excess alcohol consumption, sedentary work, far less physical activity (only on rare occasions out dancing by the time I was 30), not enough sleep.

adrift

Sometime in 2007, I reached 72kg for the first time. By June 2008, I dropped again to 61kg. By November that year, I was within about 5kg of my ideal weight. By March 2010, I managed to regain all I'd lost plus some to reach my new heaviest weight thus far of 74kg, in time for a road trip from Melbourne to Brisbane with my friend Phil. Somehow I still managed to take self-portraits during that trip that I don't hate, and some are arguably my best work.

Soon after my return from the road trip, I joined a gym again, and by the time I departed for the UK in January 2011, I'd managed to drop to 67kg. I somehow lost another 2kg in transit to arrive in London, weighing 65kg. I steadily whittled that weight back down to 53kg, one kilo above my ideal weight, by February 2012.

Late in 2010, I'd met a partner when I weighed about 68kg. We decided to try out a long-distance relationship when I moved back to London.

He had been on a weight loss journey before we met, with much more baggage to shake.

We both continued to lose more weight between January 2011, when I left Australia, and February 2012, when we reunited in person for the first time in London.

can’t stand up for falling down

Although he was proud of my achievements, that visit left me perplexed. I had reached within 1kg of my ideal weight, which had made me happier about my body, and yet, somehow, he seemed less attracted to the new "tiny" me. Although there were other factors at play, I'm not going to lie that his reduced attraction to me didn't play at least some small part in my regaining weight.

Meanwhile, to drop to that weight and maintain it (or near enough), I realised my mind had had to shift a lot. Some of it was a healthy shift. But some of it was seriously unhealthy. Not the same type of 'unhealthy' as during my late teens and early twenties, but still not healthy.

I was obsessively counting calories and weighing myself. I spent at least five hours in the gym every week in 2011. In 2012, and until I sustained a foot injury that curtailed my gym-going for a while, I often spent over seven hours in the gym per week, taking part in lots of Les Mills classes and caning myself on a stationary bike.

Whilst seven hours per week in a gym isn't unhealthy in and of itself, the internal dialogue I was having with myself was anything but healthy. The time I was in the gym was penance or payment for poor choices made in my eating and drinking habits or my lack of activity in my daily life.

When I wasn't overtly punishing myself, I was trading calories out for calories I would subsequently be able to take in. If I burned 600 calories on the bike and 450 calories in a Body Pump class, I could eat that pizza or drink that cider, and everything would be okay.

Whilst reducing my weight to my ideal in 2011/2012, even the MyFitnessPal app ceased telling me how much I could expect to lose in five weeks "if every day were like today". I was regularly achieving a deficit in calories in/calories out that was deemed unhealthy. I consumed fewer than 1,200 calories and often burned more than 1,000 calories. Even fitness apps have a conscience.

By January 2013, I'd developed what a GP believed to be Morton's neuroma in my left foot. It was subsequently successfully treated as rheumatoid arthritis in one of the toe joints. The pain in my toe was so severe that it forced me to cut down and then stop exercising entirely.

After cortisone injections, I was discouraged from any impact exercise - running, jogging, jumping - for a while, at least, but possibly permanently. I was also warned not to wear high heels - even low ones - for any period. They would place more pressure on the ball of my foot and potentially rekindle the issue.

With my exercise options and time at the gym somewhat limited, I still spent a lot of time on the stationary bike. I was still keeping my weight within a reasonable range, but it crept up again over time, much of it caused by a lack of exercise and an excess of alcohol. But also through continuing to consume large quantities of food. That quantity of food was acceptable while I was exercising to excess. But, without the exercise to trade the "calories out" against the "calories in", there was a gradual weight increase.

Mixed in there, though not directly related to my weight, my relationship broke down. That contributed to more poor decisions on eating, drinking and exercise as well as depression, anxiety and poor sleep.

Since then, I've hit new highs and had lows again, though not as low as 53kg.

I've tried to be kinder to myself. More gentle.

I've tried to see myself the way I see other women now. Not the way I used to see other women, which was in an internalised misogynistic fat-shaming way. I see other women in a way where I don't think, "She would be beautiful if she lost some weight". I think "She is beautiful". And her weight - whichever end of the spectrum it is, or in the middle - doesn't influence why I see her that way.

It takes a lot of work. I can more easily see others as beautiful irrespective of their weight than I can look at myself in the mirror. Or look at photos others have taken of me when I'm overweight. Or that I'd taken of myself years ago when I was 70kg+.

It's still hard. I still have to re-train myself every time I look at photos of myself. It contributes heavily to why I don't take self-portraits anymore, though I want to.

But, even without being overweight, when I weighed in the low to mid-50s, I could pick apart every inch of my body to tell you what still needed work. What still made me "less than".

I've also grown up in a culture where to be desired is everything, even when I can see past a relationship being a measure of my worth. If I'm 100% honest, desire is still something I use to measure my self-worth. Lack of desire within a relationship is probably an even harder pill for me to swallow.

And it's so easy - when a former lover admits they find me less attractive due to my weight gain - to fall back into unhealthy behaviours, to punish myself. Because maybe my weight gain led to me being less desirable and to our break-up. But that doesn't fix anything that wasn't already broken. And it won't help me be who I want and need to be going forward.

Depending on the day of the week or the hour of the day. How many hours since my last meal and how much or how little I ate the day before. I weigh about 10kg less than I weighed at the new heaviest weight I reached a year ago.

I'm not "happy" with my current weight. I'm not "happy" with how I look, how my clothes fit me and how I look naked. And I know I have a lot of unhealthy habits.

But I also know many of my previous tactics that kept me at or helped me back to around 52kg aren't healthy.

I have to regularly remind myself that those who've never had an issue with weight will rarely understand or empathise. Whether blessed with a fast metabolism or never experienced an eating disorder, addiction or mental health issue.

I need to find a healthier way to get back to being strong and fit and resolve issues I have with my lower back strength. Not to mention regaining strength and confidence with my left ankle after the fracture I sustained in October 2019.

I need to continue to seek a healthier relationship with my body. I've been trying for so long. You would think it would become easier over time, but it doesn't.

In life, writing, self-portraiture Tags self-portrait, self-portraiture, self-image, woman, beauty, body dysmorphia, body-shaming, fat-shaming, weight loss, life
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untitled #203 [john webb's windmill, thaxted, essex, england, 2017]

this is 40

December 31, 2017

So, it's been another year since my last blog post. This seems to be becoming a habit. I'd make a bunch of promises about updating more regularly, but let's just see how things go in 2018. As my sales colleagues would say, 'under-promise and over-deliver'. Maybe if I make no promises I can exceed all expectations?

This year has been another step back up and toward the track, but with far too much emphasis on my day job to the detriment of my photography. With recruitment happening currently to split my role, I'm aiming to take back control of my working hours and work-life balance in 2018 so I can focus more on my photography and my own life, and less on the aims and goals of the company I work for.

With so many hours consumed by my day job, it feels like I didn't achieve much with my photography or do much generally this year, but I did take an awful lot of photos with my iPhone, posting 511 photos to Instagram. And despite feeling like I didn't get much editing done, especially in the last few months of the year, I did manage to work through quite a lot of photos from my travels in 2012.

this is 40

I turned 40 in April, which felt quite surreal. Well... it still feels quite surreal. I'm completely at peace with my age - a stark contrast to 10 years ago when I was on the cusp of 30 and suffering from anxiety and depression, diagnosed with anhedonia - but there's a large part of me that feels about 23, not 40. It's probably not helped by the fact I work in a junior role during the day; I don't own a home, have any kids or a significant other; my finances are a mess; and people regularly mistake me for being late 20s or, at most, 30.

2017 marked the first time in over 12 years that I've not taken any 'proper' self-portraits. You know, the kind that involve my dSLR, potentially a tripod, and more than five minutes of premeditation. While in a way that feels kind of sad and disappointing, in some ways it's been a relief not to be in front of my own lens for a bit. I'm sure 2018 will bring more self-portraiture, but sometimes it's good to look outward, not inward all the time (or maybe it's just another side effect of being a workaholic...)

stills from 'paranoid' [© red productions/itv]

Speaking of self-portraiture, I finally had a chance to catch Paranoid, the television series some of my images were licensed for, thanks to my friend, Aer. The range of images licensed was pretty broad, so I wasn't sure whether I would see my work as wall art in the homes or offices of the characters, or what, if anything, might be used. So I was more than a little amused to find a selection of my self-portraiture appear in the hands of major characters as evidence toward the end of the series!

american gothic in london [royal academy, mayfair, london, england, 2017]

Amongst the many days I spent gallery-hopping with friends this year - seeing more exhibitions than films for once - Phil and I managed to get out and about in May to explore part of London with our pinhole cameras.

killing time creatively

My Flickr friend, kegangd, gifted me with one of his homemade pinhole cameras which arrived just before my birthday. The negative size is 6x9, so the lab I took the films to could process the film but not scan them correctly, so Phil will be scanning them for me in the new year so I can finally share them in the proper format. The above is a quick edit of one of the cropped scans from the lab.

sunset over the south bank [london, england, 2017]

This year brought more changes on a personal and professional level: Kyle moved out in May and my current flatmate moved in at the end of June; and our company moved offices in June from London Bridge to a co-working office right by St Dunstan in the East church garden.

untitled #6266

With Hornsey Gas Holder No. 3 being dismantled in late February and invisible above ground by the end of March, my attention was drawn even closer to home, with my local kit of pigeons drawing my eye and my iPhone lens throughout the year.

untitled #113 [kidstones, leyburn, yorkshire, england, 2017]

This year included a fleeting visit to Manchester for work, but the highlight of my travels was spending a week travelling up and down the country with Mum and Dad during their visit in June and July. We visited some places I'd been to before, and a number of places I hadn't.

I was pleased to have my parents visit me and to spend the time with them during their stay, though it was a stark reminder that while I don't feel 40, time is marching on. It was quickly evident my Dad's itinerary was a little over ambitious for them in the time allotted, but we managed to see quite a lot and cover a lot of ground even then.

spot the tourists

I'm looking forward to being able to spend time with Mum and Dad again in 2018 on their home turf. I'll finally have the chance to visit them at their home in Tasmania in March, where they moved just after my last visit to Australia in December 2012/January 2013.

The visit will also give me the chance to catch up with my Uncle John and his partner for the first time since 2013; and visit friends and family in Melbourne - many I've not seen 'in the flesh' since leaving Melbourne in September 2009.

Conveniently, a number of my friends from Brisbane have moved south, so I feel less guilty restricting my time in Australia to just Melbourne and Tasmania.

untitled #7808

I'm also looking forward to being a bridesmaid for the first time! It's more than a little daunting and a little bit of a logistical nightmare, but I'll be one of three bridesmaids for Erin and Nick's wedding near Christchurch, New Zealand, in March. It will be wonderful to see them both so many years after they left London and to be there for their special day. It'll also give me a chance to pop into Wellington to see some old and new friends.

While this year feels like it passed in a heartbeat, it has mostly been a good one, spent with good friends, and I'm hopeful for 2018. I just need to re-channel the energy and commitment I had this year for my day job toward my photography.

However you're spending the turn of this year into the next, I hope 2018 holds good things for you.

In life, photography Tags thaxted, self-portraiture, paranoid, pinhole, london, pigeons, yorkshire, family, portraiture, travel
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emerging from darkness

emerging from darkness

December 31, 2016

Another year has passed. And what have we learned?

2016 was a better year for me personally than 2015 (that wouldn't have been hard), but it didn't always feel like a good year for the world in general.

I wrote in my last post (I know, a year between posts is ridiculous... sorry!) that 2015 was my year of living uncertainly. So many things were hanging in the balance during 2015, and the general feel of the year was quite negative. This year had a more positive feel, though it still felt a little like treading water at times.

Moving forward felt slow last year, as so many moving parts were dependent upon each other. This year brought various chapters to a close.

In May, I moved for the third time in three years. For ten months after our break-up, Kyle and I had remained roommates. When we moved, I finally had my own space again, albeit with Kyle now filling the role of housemate. Many friends expressed concerns about this decision. For now it is working, as we (mostly) know about and can deal with each others’ quirks, and for the most part we live completely separate lives. Sometimes it almost feels like living alone, which is a good thing for me.

In August I was effectively made redundant from my day job, though that specific word was never used. The decision was quite out of the blue but I was happy enough to move on as I felt ready for the next opportunity. During my last week, The Sundays’ lyrics, ‘it’s the little souvenir of a terrible year’, were my recurring earworm. It felt like the last remnants of 2015 falling away. Like shedding the last layers of the chrysalis so I could finally see my way clear. It felt like closure.

In the meantime, my dSLR didn’t get a heavy workout in 2016, but there were ample opportunities for me to point it at myself and at other subjects.

untitled #202 [media city uk, salford quays, greater manchester, england, 2016]

In April I finally had the chance to catch up with Aer after close to ten years, visiting her in Manchester. It didn’t turn out to be the best timing for her due to unexpected work and family complications, but we had a good catch-up.

Aer encouraged me to shoot in her three-storey house while she went off to work. This included the cold, creepy basement where I took the self-portrait above. I think it was the only ‘proper’ self-portrait shoot I did during 2016.

I think it was my first visit to Manchester since 2000. My stay also gave me a chance to revisit the city, wandering its streets and the John Rylands Library with my camera.

untitled #83 [dungeness, kent, england, 2016]

In June I finally made good on a long-postponed trip to Kent and East Sussex with Phil Ivens, with Kyle tagging along. At least once a year Phil stays at a B&B in East Sussex, using that as a base to visit Dungeness and other places in the area. For at least five summers I had been hoping to visit, but timing and money always seemed to be an issue.

untitled #165 [prospect cottage, dungeness, kent, england, 2016]

This year I committed to the break. I enjoyed tramping over the shingle to explore the derelict boats and fishermen’s shacks, despite the horrendous sunburn I got in the process. It was also nice to finally visit Derek Jarman’s Prospect Cottage. The only real dampener to the holiday was finding out the results of the Brexit referendum on our second last day.

untitled #116 [margate beach, margate, kent, england, 2016]

Other travels during the year included:

  • a day trip to Camberley to visit my friend, Floriana, though I didn’t take any photos;
  • a day trip to Oxford with Stuart;
  • an overnight visit to Birmingham for a night out with the girls, though I only took photos with my iPhone; and
  • a day trip to Margate, Botany Bay and Broadstairs in Kent with Chris and Paulina.

I posted various iPhone photos from the day trips to Oxford and Kent, and my weeks in Manchester and East Sussex and Kent, to my Instagram account. I hope to post more photos from those travels here later this year. Thank you to all those who made my travels possible and wandered with me this year.

When not traipsing around the country, I made a point of capturing familiar haunts and new locales in this city I love, even if only with my iPhone. You can find many of these images on my Instagram account as well. 

This year I continued my collaboration, weaving words into light, with the ever-patient Sarah Mercer. We only managed two pairings in 2016, but hopefully 2017 will bring more.

I also licensed a selection of my images to a television series that ran a couple of months ago on ITV. I'm not sure how many images, if any, actually made it onto the screen as set dressing. I'll let you know if they did once I've had a chance to watch the series!

In October my Mum had a health scare and it was hard to be so far away from family during that time. Thankfully open-heart surgery seems to have resolved the issue. I’m looking forward to catching up with her and Dad in June/July 2017 when they visit the UK and Ireland.

untitled #5 [hornsey gas holders, hornsey, london, england, 2016]

Unfortunately it was curtains for my favourite neighbourhood gasometer, Hornsey Gas Holder No. 1, which was finally dismantled in August. Above-ground work started in earnest as I was finishing up at my job, so I was able to capture workers dismantling it section by section. Hornsey Gas Holder No. 3 appears to have survived 2016, but I don’t believe it will still be in place by this time next year. I’ve since redirected my obsession toward other gasometers around town. Most recently those at Gas Holder Park along the Regent Canal in King’s Cross; and the listed gas holders by The Oval cricket ground in Kennington.

Other lowlights of the year included:

  • regaining the rest of the weight I’d lost in 2010-2012 plus some;
  • having far less alcohol-free days than I’d intended; and
  • watching BBC coverage of the US presidential election into the wee hours of the morning.

At least I can reverse the first, and improve on the second in 2017. Unfortunately there isn’t much I can do to change the third. I’m more than a little trepidatious about how 2017 will unfold due to the outcome of that election and the Brexit referendum.

But there were quite a few highlights.

For instance, I love my new home. My blue-walled bedroom is my sanctuary. It has a quaint white mantelpiece, space for a king size bed and my workstation, and more than enough room to swing a cat (if you’re into that sort of thing). There's a proper lounge room with comfy couches and Netflix, and my prints hanging on the walls. I’m also more than a little pleased with the blue-tiled bathroom. No doubt others would call it kitsch, but I love it. Here’s hoping this stays my home for a few years.

I wrote more this year. I got into the habit of writing 750 words most days in the latter part of the year, albeit usually journal-type prose as a form of mental clearing. It's a habit I need to get back into from tomorrow. I also managed to write over 12,000 words for NaNoWriMo. Though I didn’t complete the 50,000 word challenge in November, I will come back to my novel soon.

I visited a number of museums and galleries, and went to see quite a few films at the cinema.

Friends have been good to me again this year, even though I’m notorious for hiding away in my ‘bubble’, valuing my alone time.

So, all in all, 2016 didn’t completely suck for me, though it wasn’t my best year on record.

There were plenty of sad things happening in the world around me. This includes the deaths of musicians, writers and actors I’d grown up with and enjoyed the work of. This year felt particularly bad on that score, as many have pointed out. But I guess I have to brace myself for the possibility every coming year will strike a blow as hard as this one. It's just a fact that many of my favourites are getting to that age.

Speaking of age, 2017 marks another milestone birthday for me, which feels more than a little surreal. I had a brief glimmer of hope that I might visit Australia for a few weeks in April to mark the occasion. Unfortunately it’s looking unlikely given my current finances. I’m hoping to apply for British citizenship sometime in the coming year. I will also need to buy a new computer soon as, to quote Apple support, my laptop is ‘vintage’ now. It's definitely showing its age. So it’s looking like Melbourne and Tasmania will have to wait until 2018.

2017 is also a sort of anniversary year for me. It will mark ten years in April since I started my 365 days project. And ten years in August since my debut solo exhibition, alternate worlds.

In some ways I feel I’ve gone backward with my photography since then, but sometimes other things have to come first. My intention for 2017 is to regain the focus and energy I had in 2007 and 2008. To get back to the things I love about photography.

I’m feeling positive about 2017. It feels like a reawakening, and well past time to get back in the saddle. My long-time new year’s resolution comes back around: make this year count.

If you’re reading this, I hope your 2017 is all you hope for, and thanks for stopping by.

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In life, photography Tags self-portraiture, manchester, dungeness, prospect cottage, margate, hornsey gas holders, home, travel
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