the sacred heart of balmoral
[I originally posted this entry as early access for my Patreon patrons on 16 September 2022].
leeds castle
[I originally posted this entry as early access for my Patreon patrons on 6 September 2022].
Leeds Castle in Kent. Taken in May this year during a visit with friends.
side by side in death
[I originally posted this entry as early access for my Patreon patrons on 6 September 2022].
plush
Just a quick post for those who may be considering becoming a patron.
I've been sharing a new series of self-portraits I started while undertaking a recent cat-sitting gig. They're still patron-only access until later in the month.
I shared these three photographs early access with my patrons a month before they'll become public. New images from the series (as I create them) will be shared a month early too.
If you'd like to see the images from the series so far, now's the time to become a patron.
moth orchid (yellow)
[I originally posted this entry as early access for my Patreon patrons on 6 September 2022].
Here are some beautiful Phalaenopsis or moth orchids I photographed the weekend before last in the home of a woman I regularly cat-sit for.
My own have also been flowering, and I captured them a month ago when some of the flowers were still in the bud. I'll share images of those in my next instalment of a floral tribute.
I'm playing 'catch-up' again after returning from my latest cat-sitting gig and dealing with some personal bits and pieces.
There may be a break in my regular cat-sitting for a bit, so that will mean fewer hiatus here, hopefully.
I absolutely adore the kittehs and love spending time with them. But the laptop I use when I'm away isn't great for editing photos (or anything creative). Aside from anything, the screen is too small.
I also feel like I should savour every chance for kitteh snuggles when cat-sitting. So, sitting at a desk instead of reclining on the lounge where I'm more likely to attract those snuggles seems silly.
The impact of my vitamin deficiencies has also been heavily felt lately. I'm thankful I'll have a follow-up appointment with my GP next week as I imagine she will start me on B12 injections, and then maybe I can start to get my energy back. The lethargy and fatigue I fight are becoming... well... tiresome.
I hope you're all doing okay. Feel free to leave a comment to check in and say hello!
public footpath
[I originally posted this entry as early access for my Patreon patrons on 23 August 2022].
For those who aren't aware, England, Scotland, and Wales have a system of public footpaths and bridleways collectively recognised as rights of way.
They allow folk to travel across private land without fear of a charge of trespassing. Or threat or reprisal from landowners.
In rural areas, they can make getting from Point A to Point B on foot a much quicker journey than if you had to stick to the footpaths alongside roads. They also make for interesting routes for those of us inclined to photo walks.
The entrance to this public footpath can be found north of Cotton End.
I didn't take it while I was cat-sitting for Jo and Becky this time, but hopefully, if I have the chance to cat-sit Meg and Mog again, I will be able to explore it further.
Or, at least, others not far away which lead to places that seem enticing to my photographic eye.
If you want to see how extensive the right-of-way system is in the UK, check out the Footpath Map.
bunny
[I originally posted this entry as early access for my Patreon patrons on 22 August 2022].
amber treasures
[I originally posted this entry as early access for my Patreon patrons on 19 August 2022].
The last of my Gazania photographs from St Kilda Cemetery from my visit in 2007.
priory country park
[I originally posted this entry as early access for my Patreon patrons on 18 August 2022].
In 2018, on a drizzly November day, I met my friend, Khanisa, for a walk and a late pub lunch in Bedford.
We wandered along the River Great Ouse out to Priory Country Park and back, despite the rain.
I didn't manage to get out and about as much as I'd have liked while cat-sitting in Cotton End last week, though I did attempt something of a photo walk one day.
And I did catch up with Khanisa for an afternoon for a long overdue face-to-face chat.
So, I thought I'd edit and share some photos from our walk that day in 2018.
faithful unto death
[I originally posted this entry as early access for my Patreon patrons on 16 August 2022].
While reviewing images to edit for what should have been the past week's #SepulchralSunday post, I decided I wanted to create a new curated series called last words. Photographs from my sepulchre series that focus closely on poignant inscriptions on graves.
This capture and another I took at St Kilda Cemetery in 2007 caught my eye and inspired the idea.
Strangely, I had already edited this particular photograph. Notably, the day before my birthday in 2018.
However, I can't see where I've previously published it online or otherwise, and I don't know why exactly I edited it that day.
As I can't locate where I might have published it, I have to believe I never shared it before, so I stuck with my choice for the first post from this new curated series.
I hope you enjoy this new series as I share them over the coming weeks mixed in with my other series: late bloomers, stained glass and, as we approach Christmas again, season's grievings.
striped treasures
[I originally posted this entry as early access for my Patreon patrons on 16 August 2022].
More Gazania from the St Kilda Cemetery.
suffer little children
[I originally posted this entry as early access for my Patreon patrons on 7 August 2022].
self-portrait* in blue
[I originally posted this entry as early access for my Patreon patrons on 7 August 2022].
I had two other prompts already written down to try with Midjourney AI before deciding it would be remiss not to try something (in theory) more personal.
I was curious how much - if at all - the AI was trawling the internet for references.
I'd seen people entering 'in the style of [artist name]', and I'd obviously used 'art deco' in my previous prompt.
So, my mischievous side came out and for my third and final prompt before my trial ran out, I entered 'bronwen hyde, self-portrait, blue'.
The initial four options and the second four options Midjourney gave me can be seen in the second image.
I wavered a little between the image I chose and the top right and bottom left options in the first four. The second set of four didn't appeal to me as much stylistically.
In the end, as I had only a few variations and upscale "turns" left, I worked just with the top left image from the first four options. This was my final result before my trial ended.
Clearly, it's not me, but I feel like some options remind me of Cindy Sherman and maybe Sigourney Weaver. So it is interesting to think about how Midjourney learns and what it picks up as sources.
I'll probably sign up for a subscription for a month to play with the tool more and see whether it's something I find helpful as a part of my art practice.
But either way, it was an engaging and intriguing way to spend a couple of hours on a Friday evening.
art deco annie
[I originally posted this entry as early access for my Patreon patrons on 6 August 2022].
The second prompt I gave Midjourney AI was 'art deco, portrait, night, lamp'.
This image was my favourite result, though I have to admit I didn't play too much with creating variations for this. I felt with a few tweaks, it came up well.
I did get the AI to give me an alternative set of options before I received a notification that I had a limited number of free images left to create.
In the second image (left to right), you can see the original four options Midjourney generated for my prompt. And then the second four options.
death in the afternoon
[I originally posted this entry as early access for my Patreon patrons on 6 August 2022].
Yesterday afternoon, scrolling through my feed on Facebook, I saw some artwork by a fellow photographic artist I follow, Rebecca Tolk, and was intrigued by it. Especially when she mentioned the work was created using artificial intelligence.
Although the work looked amazing, my initial thinking was similar to what I soon found out was Rebecca's initial question: "How is this her art?"
Wanting to understand more, I watched the replay of a Facebook Live video she made. Rebecca explains how she sees this tool fitting into her practice and how she has seen others use it in their practice.
If you have the time, it's well worth a watch to understand the 'why', and it gives a sense of how I could potentially see it fitting into my practice too.
For example:
To create elements for inclusion in mixed media artworks without having to go out and photograph each of them (especially if they're not easily accessible for me).
To create elements for my digital collages.
To inspire and draft out ideas for photographs or collages.
To storyboard potential short films I'd like to make, especially to give a sense of mood and atmosphere. This would be particularly helpful as my illustration skills are still quite rudimentary.
And, obviously, there's the option to use it in the most straightforward way to create art in and of itself. Though I think I would have to become more familiar with how it works and how to "work it" to consider it more "my artwork" than the AI's.
So, I took some time yesterday afternoon to experiment with a free trial of Midjourney AI to see what I thought.
As Rebecca points out in her video, your free trial images and variations don't take long to exhaust. And working in a massive group chat with so many other people can be overwhelming. Though also inspiring to see what other people are using as prompts and how they are using Midjourney.
It can be hard to track your results, and I'm not entirely sure I found all my variations as I was still learning to use the tools. If I decide to sign up for a limited subscription, I believe you get your own workspace. That will make it easier and cleaner to focus on what I'm doing and learn more about how to use it.
But these are two variations from the prompt 'death in the afternoon' that I created yesterday afternoon.
The first image was actually my second option and variation, but it was the one I liked more. The branch coming out of nowhere is the sort of thing I would edit out as it's obviously a bit of a glitch in the AI. In the preview, it looked like it might be the blade of a sickle.
The third image shows (from left to right):
The initial selection of four AI-rendered images Midjourney presented me with, of which I selected the top left.
The variations it created from that image when I triggered it, of which I selected the bottom right.
An alternative set of four AI-rendered images Midjourney presented when I requested a redo. I didn't get to work with these as I didn't see them initially, and I used up the rest of my free trial working on two other prompts.
I definitely don't see AI art replacing my existing practice. But I can see how it might enhance my work and/or be another tool or medium for me to create art.
I'll share the other two images I created yesterday later in the day, but I'd be curious to know your thoughts.
golden treasures
[I originally posted this entry as early access for my Patreon patrons on 6 August 2022].
More Gazania captured in St Kilda Cemetery in 2007.
...and a shed in the back
[I originally posted this entry as early access for my Patreon patrons on 6 August 2022].
I took these photos in October last year when I was in Minera, Wales, cat-sitting Meg and Mog for friends.
In a few days, I'll be cat-sitting Meg and Mog again, but it will be in a village a short distance south of Bedford.
When I went to Minera, it was because Meg and Mog's mothers were house-hunting for a new home within a more manageable commuting distance from London. They had previously been neighbours living at the other end of my street.
I'm hoping to head back to north Wales sometime this summer. But with my health issues making travel nerve-wracking at the moment, Cotton End will be a chance to test the waters, the effectiveness of my new meds and, hopefully, get my mojo back.
Cotton End is a shorter journey from my home than Bromley, where I stayed last weekend to cat-sit Sammy, Lily and Poppy. While I was there, I chose not to venture out much. Literally, two supermarket runs less than ten minutes walk from the house.
Unfortunately, the mercury is set to soar this coming week. That will make going out less appealing for me. But I hope to get out at least a little with my camera.
If possible, I'll also meet up with a friend and her mother who live in Bedford. But it will depend on their schedule and health.
untitled #2
[I originally posted this entry as early access for my Patreon patrons on 4 August 2022].