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bronwen hyde - photographer

  • Home
  • metanoia
  • location
  • interior/exterior
  • minutiae
  • best of 365 days
  • sepulchre
  • curriculum vitae
  • institutionalised
  • simulacrum
  • facade
  • alternate worlds
  • fabrication
  • store
  • scrawl

untitled #172

of highs and lows

December 31, 2019

2019 was a mixed bag for me. It held some of the highest highs, and some of the lowest lows.

At its best, it was a year of exploring, discovery and love. At its worst, it was a year of heartbreak.

There were highs such as seeing one of my self-portraits, ‘where the light plays’, as a main spread in Shots Magazine.

There were lows such as saying goodbye to what remains of my mother for what was likely the last time.

There were myriad outings in and around London with my camera and my intrepid tour guide, Simon, discovering more and more of my beloved city and adopted country.

There was a whole month of me returning the favour for him in Australia, though a tour guide with a fractured ankle is not quite what either of us had banked on. We will have to have a rerun sometime. (And you’ll have to wait for the photos from this visit until the new year).

I finally made my Patreon profile live and added five instalments to my series ‘postcards from another’s life’ (many more personal than I had originally intended), along with publishing other previously unpublished work there early or exclusively for patrons. Thank you to those who have become patrons so far. I promise 2020 will see more activity over there now that I’ve been able to upgrade some of my equipment!

I laughed a lot. I cried even more. I shared moments with my Dad which were heartrending but which have brought us closer together.

I discovered the alien beauty that is Turkish hazelnuts.

I’m sure I could say so much more about 2019, but the past few months have been a bit like wading through molasses, physically and emotionally, and I’m just now surfacing, a little.

So I will leave you with a selection of the many photographs I took this year, and wish you and those you love a brilliant 2020 and a wonderful new decade xx


It was a year of previously unvisited gasometers:

untitled #75 [bromley-by-bow gas holders, bromley-by-bow, london, england, 2019]

untitled #54 [rotherhithe, london, england, 2019]

Of mills and domes:

untitled #80 [three mills island, bromley-by-bow, london, england, 2019]

untitled #14 [the o2, greenwich, london, england, 2019]

Of barriers and of dams:

untitled #33 [wapping, london, england, 2019]

untitled #73 [thames barrier, royal docks, london, england, 2019]

Of plants, animals and organic matter:

untitled #99 [coalhouse fort, east tilbury, essex, england, 2019]

untitled #132 [shoeburyness, essex, england, 2019]

untitled #47 [mersea island, essex, england, 2019]

Of manmade items marooned on the littoral:

untitled #125 [shoeburyness, essex, england, 2019]

untitled #70 [mersea island, essex, england, 2019]

untitled #69 [mersea island, essex, england, 2019]

Of darkness and of light:

untitled #40 [tilbury fort, tilbury, essex, england, 2019]

untitled #70 [tilbury fort, tilbury, essex, england, 2019]

Of filming locations, old and new (relatively speaking):

untitled #106 [binsey walk, thamesmead south, london, england, 2019]

untitled #55 [southmere lake, thamesmead, london, england, 2019]

of death and of resurrection:

untitled #49 [nunhead cemetery, nunhead, london, england, 2019]

untitled #49 [the cathedral and abbey church of saint alban, st albans, hertfordshire, england, 2019]

Of love:

birthday selfie taken by simon

And sometimes, just a waste of time:

untitled #33 [crossness pumping station, abbey wood, london, england, 2019]

In life, photography Tags hazelnuts, bromley-by-bow gas holders, three mills island, the o2, wapping, thames barrier, coalhouse fort, shoeburyness, mersea island, tilbury fort, binsey walk, thamesmead, nunhead cemetery, st albans, love, crossness pumping station
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crying in the shower

crying in the shower

December 16, 2019

I mostly cry in the shower. Or more specifically, in the bath, because I can't currently stand to shower.

I could be all poetic and say it's because I can hide my tears, even from myself, in the shower. The tears mingle freely with the spray from the shower rose as I douse my head; rinse shampoo and conditioner from my locks.

But it's not that. It's just that they seem to come most freely in there. Where the white noise from the water and the exhaust fan drown out everything but my own voluble and constant thoughts. Thoughts I can no longer shut out.

Crying in the shower feels cleansing; even just for a day. Until my next shower; the next time I'm completely alone with my thoughts again, and they well up, unbidden, once more.

The shower might be where I find myself in tears the most often, but lately I find myself crying almost anywhere. Everywhere. I struggle to think of a day in the past couple of months where tears didn't catch in my throat, even if I somehow managed to stifle them from pouring forth.

The first time they came, despite my best efforts, when saying goodbye at the end of a heartrending afternoon to a woman who looked like my mother, but only briefly appeared to be her, in glimpses.

She knew me when I arrived. She greeted me with open arms and a hug, despite her confused state about almost everything else. That gave me hope for just a little while, but as she repeated the same questions over and over to the hospital staff and my father, that hope died a little each time. My heart broke when she wanted to leave with us, saying 'I just want to spend time with both of you', but we knew we couldn't take her with us for at least another day.

I tried to hide the tears from my heartbroken father over the coming days, but they choked me when I tried to speak more often than I could control.

When my mother told me in one of her lucid moments, 'Don't ever let this happen to you', I hid my tears over her shoulder as I hugged her close, and left the room as soon as she became distracted with one of her newfound obsessive rituals. Barely able to breath, the tears finally streaming down my face in the next room.

Since then, I've cried in shock, in pain, in frustration and anger. In fear and panic. For what I've lost; what I'm losing.

Through my life, I've mostly managed to go without crying much in public. Not unrestrained ugly crying, at least.

But I was crying in the airport as I turned away to go through Security after she asked me when I'd be back and told me to come back soon. I told her I would, knowing full well that by the time I return she'll be gone; one way or another. As I promised, I saw that she could see the look in my eyes, and she looked like she knew she should look the same but she seemed confused about what to feel; why I might have that look in my eyes.

And I ugly-cried in a light plane over Bass Strait. I didn't care that the stewardess could see me as she went through her safety demonstration. I didn't care that the other passengers could hear my sniffles and sobs. I couldn't have stopped it, even if I'd cared.

For about a week my morning ritual consisted of tears. Tears of frustration at myself and others for the things I couldn't do unaided. For shower roses out of reach. Over the inability to lower myself to the floor of the shower or raise myself to standing to get dry. Over being left alone to do things I would usually do alone, but I couldn't.

When my mind manages to drift away from family for a while, I've cried for things I wish to be so, and things I believe will never be. I've cried in his arms. I've cried because I can't be in his arms.

Every day I've felt sure I have no more tears left, but then I tell someone about my mum. I talk with my dad and watch the heartbreak wash over his face again. We cry together over Skype, and I cry later about being so far away when all this is happening. For not being able to take away the hurt, the frustration; for not being able to change any of this.

I cry because she's already gone. Even if she's not yet gone.

And then I cry some more.

In self-portraiture, projects, writing Tags self-portrait, bath, crying, family, grief, the 100 day project, 100 days in words and pictures, postcards from another's life, 750 words
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a bird’s eye view

a bird’s eye view

July 2, 2019

They talked of little things. Of big things. Of middling things.

The sort of things that stuck in their craw, or alternatively that made them sing. Not that seagulls are particularly known for their singing. If you can even call it that, and most don't. But sometimes, just sometimes, there were things to speak of good enough that they made them sing, even if they were the only ones to call it that.

To be fair, she talked more. He mostly listened. He interjected sometimes with an amusing quip or anecdote and then dropped into the background, letting her speak her thoughts aloud.

Sometimes the deepest thoughts. Sometimes simply gossip about the other birds roundabout. They had views on most things, albeit mostly a high level aerial view, with the odd deep dive into society and its mores. They were dab hands at picking up tidbits around and about, but getting clear of it all when shit went down.

Occasionally they fraternised with the other birds. Other seagulls and pigeons mostly. But sometimes they travelled further afield and crossed paths with blackbirds or magpies, or other smaller neighbourhood birds. Tits, robins, sometimes the odd starling. Though the starlings tended to be a bit too obsessed with flying in formation, which didn't make for much opportunity to just chill out and network together.

They squabbled with other birds over morsels left behind by the humans, or they talked about nesting and raising their young. Exactly how much they should feed their young through regurgitation? How young was too young for the hatchling to fly the coop, or the nest? You know, the usual, really.

Despite the draw of the seafront, they didn't really like crowds much. Their favourite place to perch was over the town square; the one with the church and its churchyard. It was more peaceful and less overrun by tourists - both on the ground and in the air - than the waterfront. The nearest pub was down the hill, so apart from the Sunday sermons, the area was quite quiet.

They liked to watch the humans congregate one day a week in fancy clothes. Occasionally they would swoop down to snatch a beribboned bonnet from a small child or a prim and proper lady, causing a bit of a ruckus, soon forgotten.

Something colourful for the nest was always lovely to have. Something to brag about to their neighbours. When the humans weren't looking, sometimes they took a stroll around the churchyard to gather up the colourful tributes left behind on the graves.

What good was a colourful ribbon, an evergreen plastic leaf, a shiny bit of tinsel, to one of their lost ones? Surely it should be enjoyed by the living? These things made for beautiful touches on an otherwise dull nest of twigs and dry leaves. Something shiny and colourful to brighten up one's home and make the newest member of one’s family feel welcome.

On Fridays they feasted on fish and chips like good locals. They weren't as keen on vinegar and ketchup as their human counterparts, but beggars can't be choosers, I guess.

Some of the local humans had put out bird-feeders in their front or back gardens around the square. Leaving seeds and such out for their feathered friends. Despite initial reservations, they didn't seem to mean any harm; and though the meals on offer were basic, they were mostly hearty.

In between times, the worms surfaced from the earth in the churchyard when the rain fell, and the bins overflowed with takeaway options. The square was a relative smorgasbord without the long lines and bickering to be had by the sea.

They watched from above; surveying all below. They knew all the humans' gossip, but there was little point in knowing it because they couldn't convey it to other humans, and other seagulls just rolled their eyes to hear it. And rightly so.

The humans would never change. They were lower beings. Why bother to observe their ridiculous comings and goings? As long as they left behind the odd scraps to feed on, or left enough fish in the harbour for them to catch their own, then all could live well enough together.

Things had become a little out of hand lately as the humans were leaving the ocean in a right state. Some fish not fit to eat because of pollution, plastic in their bellies, or any number of other reasons, but there was still just enough to go around for everyone. For now.

Meanwhile, the sun was shining. The sky was blue. What more could a seagull want? What a glorious day to go fishing.

In england, projects, writing Tags seagulls, birds, feathered friends, roof, rye, east sussex, england, postcards from another's life
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encrypted

encrypted

June 20, 2019

I don't remember when death was first explained to me. Strangely, because I have a lot of vivid memories from childhood and adolescence. I feel like it's something I should remember.

When did I first become aware of the fact that everyone dies? That my grandparents would die? That my parents would die? That I would die?

I, strangely, don't know. I don't remember that ever being explained to me.

I remember hearing that my grandpa had died. The first of my close family members to pass away in my lifetime. But what I remember most about that was that my parents decided that we children wouldn't go to the funeral. That my father would go, but my mother and the three of us kids wouldn't. I don't remember the whys or the wherefores, but I guess I was okay with that.

My parents had tried to keep us away from seeing him the way he was towards the end. A non-smoker dying of emphysema. A horrible way to die.

My younger brother insisted on visiting him in the hospital to the point that my parents finally relented, but I recall being told that all my grandpa could do was wink at him, as he would always do when he caught our eye across the dining table as we carried on playing in their lounge room while the adults talked around the table and drank tea.

I don't remember the explanation for death I was no doubt given as a child, at some point.

I remember the talk about making love, having sex, fucking. The explanations of puberty and menstruation. The books my mother borrowed from the library to help me understand what would happen to my body as I moved through that awkward stage between being a child and being a woman.

Those discussions, her openness and the books she gave me to read meant I didn't face those things with fear the way her mother had. It meant I could ask any question of her about those things that I wanted an answer to. But I don't remember asking her about death, ever.

I remember my mother telling my brother and me that one of my father's former co-workers in the Northern Territory had passed away from AIDS when we were both still in primary school after we'd moved to Melbourne. Her explaining homosexuality in a non-judgmental way and probably a vague explanation of AIDS; as much as we needed or wanted to know at the time. I guess I didn't ask many questions. I listened. I took it all in. I learned homosexuality wasn't bad from a young age, but I never really thought about his death as deeply.

Then, in 1992, at 14 years of age, I found myself in a cemetery in New Orleans. A cemetery many know from the film 'Easy Rider'. A cemetery full of vaults built above ground to avoid human remains draining off into the river.

I was fascinated. This was the closest I'd ever come to death and I found it intriguing. The way life and death was celebrated through these places. The way their graves were created in as elaborate a fashion as their homes.

They were beautiful, despite the death they encased. They were time capsules. Memorials to those inside. A fashion statement. A record. Bragging rights after death.

Even at that young age, I knew I didn't personally want to be buried, but I had fallen in love with cemeteries. With graveyards. With the art of the stonemason. With the ceremony. The ritual.

Over the years I found myself consuming books about death; documentaries about death and the places people are buried. About how our bodies are handled after we die. About burials. About graveyards. About cemeteries.

I've spent countless hours, camera in hand, wandering through churchyards, graveyards, cemeteries, crypts, and whatever other names you want to call those places where people are laid to rest.

Generally, I find them places of peace, of relaxation. Like parks, but with the remains of those who came before still present in them.

But I know they often have reputations of being places of unrest. Of disrespect to those interred there. Not all of these places are peaceful or have been peaceful in the past.

In the decades since my grandpa died, I've managed to avoid the realities of death. At 42 years of age, somehow, I've managed never to attend a funeral. Never to have seen a dead body. Never to have spent time in the company of someone in their final hours or watching them pass from this world.

I consider myself lucky, but I'm also aware that I live a closeted life by not having been exposed to those things. Death is, after all, a part of life. From the time we're born we're dying. This is a simple fact not even I can escape. And for someone who actively seeks out the final resting places of the dead, it's not lost on me that I’ve managed to evade being exposed to these things.

However, for as long as I can remember, I’ve had an overwhelming awareness of my own mortality. I’m conscious this impacts me in terms of my fear of falling, for example, but also my reluctance to get a driver’s licence. My fear of others around me dying. My fear of dying. And more specifically, my fear of dying alone and no one knowing or being nearby to prevent that.

I often choose a solitary life which means I’m more likely to be alone if something unfortunate happens. Best case scenario: my flatmate will find me hours after the fact, too late to change the outcome. Worst case scenario: he or someone else will find me weeks later, again, too late to change the outcome.

Even in my worst stages of depression, I knew I wasn’t a suicide risk because what was making me most unhappy was not living my life the way I wanted to live it. I’ve always loved life and been aware of how much more I want to do, so my depression has always been related to not being able to live the life I’d like. Not due to wanting to end my life. I count myself lucky again for that.

But it doesn’t lessen my fascination with death. With how we handle the dead.

Despite my fascination with graveyards, I don’t want to be buried. I’m an outspoken advocate for organ donation (and, in fact, donation of anything that can be donated) and, as an atheist, I don’t believe in the hereafter or reincarnation or anything that requires my body to remain whole after my death.

So, while I love the stonemasons’ artistry, and the pomp and circumstance of heraldic funerals and elaborate mausoleums, vaults and headstones, I’ll settle for returning to ashes and the earth when it’s my time.

Though I hope my time doesn’t come anytime soon.

In england, death, projects, writing Tags crypt, skull, death, bones, ossuary, st leonard's church, hythe, kent, england, postcards from another's life, the 100 day project, 100 days in words and pictures, 750 words
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a room of one’s own

a room of one's own

May 22, 2019

She circled the brown wooden structure, running her fingers along the wooden slats on the side and the back of the building at waist level. Feeling the texture of the wood and the few remaining thin daubs of white paint worn away by wind, rain and the salty sea air over the last few decades.

To the left of the door, she ran her fingers down the canvas nailed to the wood. Revelling in the contrast of its texture to the wooden slats.

The door's peeling surface revealed layers of varicoloured paint applied over the years. A variety of browns with an underlying coat of dull yellow peeking through.

Despite the erosion of the paintwork, she marvelled at the fact this structure was so intact when so many similar buildings dotted over the shingle beach were in such decrepit states. Fishing nets haemorrhaging from broken walls. Doors sagging on hinges. Burnt struts exposed to the elements like skeletons.

She approached the door, running her fingers over the exposed door handle. Wondering at its seemingly bonelike colour and appearance. She curled her fingers around the doorknob and turned it, expecting resistance. Surely this small building was still in use and therefore locked, with its four walls, corrugated iron roof and door still intact, despite all the wear and tear from the elements buffeting it, placed so close to the sea.

To her surprise, the door creaked open with no resistance.

She almost stepped back in surprise.

The door opened outward. She pulled it toward her, hesitantly peering around the door jamb at what might be inside. She realised she had held her breath, unconsciously, and on becoming conscious of the fact, exhaled heavily then inhaled deeply; the smell of the ocean mingling with the musty smell of the interior of the building.

A strange mixture of nostalgia washed over her: one of childhood summer holidays by the beach mixed with memories of the storage space under the stairs of her grandparents' house. For a moment she felt lost in time, and the darkness of the interior she looked in on made her feel a little off-balance.

The day was overcast and a little hazy, so much of the interior remained darkened until she opened the door fully; and even then, her eyes took a while to pick out the details in the shadows not illuminated by the daylight.

She wandered in, letting the door close gently behind her. She had established that the door had no lock, so she didn't worry about being trapped inside, though she felt slightly apprehensive about what she may find in the darkness.

She turned on the torch on her mobile phone and shone it about her. The building contained a lot of the same contents as so many similar structures along the beachfront: nets, motors, rusted machinery, and implements she knew not the purpose of. Strange artefacts she wondered at and thought may make interesting decorations for her apartment.

Her phone, previously indicating plenty of battery, suddenly turned off. The interior of the building was quickly thrown into darkness, and for a moment she felt like she was blind. She stood stock-still, feeling a little off-balance again, but waited for her eyes to adjust to the darkness.

In a few moments, a small amount of light seeped through between the wooden slats. A tight polka dot pattern of light came through the canvas, albeit pale. She let her breath out, realising she'd been holding it again.

Despite her initial discomfort with the darkness, as her eyes adjusted to the low light she found the space quite calming. The sound of the sea reached her through the walls but was less overwhelming when filtered through the canvas and wood.

She moved toward where she thought one of the walls was, navigating the space slowly and carefully. She hesitantly reached out her hands at a forty-five-degree angle, expecting her fingertips to connect with the rough wooden surface quickly, but it took far longer than expected.

When they did connect with the wood, she ran her hand gently down and moved from standing to squatting, using her other hand to check for anything at a lower point. She skimmed the wooden floor of the building with the palm of her hands before seating herself between what felt like a reel of net and some paint tins.

She sat there in the dark, letting the distant sound of the sea wash over her. She slowed her breathing to match the speed of the waves as the water swept onto and away from the shore outside. She felt a strange calm. A peace she didn't often experience. In the darkness she closed her eyes and just focussed on the sound, letting it wash her away.

In england, projects, writing Tags fisherman's shed, dungeness, kent, england, postcards from another's life, the 100 day project, 100 days in words and pictures, 750 words
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new york, new york

new york, new york

May 4, 2019

She'd walked these streets so many times.

Sometimes slowly, taking in the apartments along each block as they moved from utilitarian buildings to grand terraces. Sometimes quickly, dodging and weaving between the other pedestrians on the sidewalk; looking mostly at the concrete, or dashing out in front of yellow cabs, but not taking in her surrounds.

The sounds of the city washing over her. The various vehicles and people clamouring to be heard, but all of the sounds merging into a cacophonous melody that threatened to overwhelm her.

She'd meandered down long avenues of brownstones, wondering about the people who lived within their walls. Coveting their homes, their lives. She strolled through the Park watching the couples. Some engaged in affectionate banter, some in excessive displays of public affection, others bickering and verging on violence, if only in words.

She walked rapidly along the back streets at night, neon lighting up the rain-soaked streets; her head down, but her senses charged and alert for any potential threats.

She'd skipped quickly down the Subway stairs, making a beeline to the platform. Careful not to brush against others if she could avoid it. Focussed on where she was going and avoiding all eye contact.

Her lips and tongue competed with the sun to consume ice creams in the sweltering summer. If the sun won, she would only get the benefit of half of the icy treat. If she won, it would be some insurance against the fatigue the heat brought with it, but it would be scarce protection against the trickle of sweat that would wend its way down her spine, and no protection at all against the cling of her blouse to her skin.

She would gaze up at the skyscrapers, marvelling at the engineering. Admire their sparkle and shimmer in the sunlight, despite despising the ostentation and arrogance of their blocking out the sun.

She watched diners in the prestigious restaurants self-consciously ensuring they were being watched behind the floor-to-ceiling windows. Pinched women with tiny fluffy dogs on the end of leads or stowed in their handbags.

She circled the Square. Watched the advertisements a storey and more tall attempt to sell her a lifestyle she could never afford and probably didn't want anyway.

She visited with Travis, Susan, Patti and Carrie.

She absorbed the art oozing from the streets. Lurked in underpasses. Experienced clubs and bars and cafes, and listened to the music pour out of every orifice. Out of a basement record store. A passing car. A strip club. A busker on a street corner singing Simon and Garfunkel off-key.

She counted her way across intersections. Marking city blocks until she reached the intersection of First Avenue and 42nd Street. She only knew which way the sun would set by the Es and Ws on the street signs; and how far north or south she was by the number of the street.

As she walked through the streets taking in the modern buildings and street scenes, her mind flashed back to the 1970s and ‘80s. The memories of these places stowed deep in her mind from so much exposure. She heard the echos of stock market crashes and organised crime.

All of these visions and sounds washed over her. She lost herself in the moment completely.

For a moment she lost herself so completely that she forgot where she was. And then she remembered.

She remembered that she wasn't where she thought she was. In fact, she had never been there. She had never walked those streets. She had never smelled those smells; heard those sounds; seen that flash of yellow as the cab passed by. Never done her duck-and-weave trick through a sidewalk of people ten-deep between the shopfronts and the kerb.

She'd simply shared a collective dream. Tasted the concoctions and potions of the City mixed together by some of the best filmmakers and writers over the years.

Her memories were poor imitations of their realities. Their stories of a city that never sleeps. Of a city on the edge. Of people on mean streets on a dog day afternoon. Of a Broadway, a Manhattan, a Central Park and a Brooklyn she'd never stepped foot in.

She'd never smelled the Subway on a sweltering hot day. She'd never raised her voice to be heard over the clamour of car horns in the centre of the city at peak hour. She'd never stood on the 102nd floor and gazed out over the city.

She'd never climbed out an apartment window to sit on the landing of a fire escape and swung her legs back and forth whilst indulging in witty repartee with a friend over a bottle of fine wine or a cheap bottle of beer.

The sign above her, not yet illuminated in the afternoon haze of a warm spring day, spelling out the name of a place everyone dreamed of going to 'make it', was about as close to the Big Apple as she had ever managed to be.

Her eyes swept down from the sign to take in the flashing lights and squawking sounds of the arcade behind it. The children attempting to claw soft toys from the machines, and buffeting a puck back and forth in air hockey.

The sign overhead and the ‘Zoltar’ machine spitting out fortunes for a pound were about as close as she would get to New York for now.

[This project is being published as early access on my Patreon. If you want to enjoy new instalments a week before everyone else, become a patron].

In england, projects, writing Tags signage, southend-on-sea, essex, england, postcards from another's life, the 100 day project, 100 days in words and pictures, 750 words
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untitled #24 [wilverley plain, new forest, england, united kingdom]

pony up* [or, thank you for your patronage]

April 25, 2019

Just over four years ago I set up a Patreon profile but, for various reasons, didn't go ahead and launch it at that time.

Over the weekend I finally launched it, and I’ve started sharing previously unseen work and new work there.

I now feel there's enough of a beginning to go ahead and share it here in case you want to become a patron and support my photography and other artistic and writing endeavours.

To begin with I’m going to be sharing:

  • Previously unpublished images I’ve shortlisted for my interior/exterior book as patron-only, with the posts only becoming public when the book is published, or earlier if I decide the specific image won’t be included in it before publication.

  • The best of my new images or newly-edited images as early access - usually a week ahead of the posts becoming public and the images being posted to my other profiles. These may be self-portraits, landscapes, portraits, photos from my travels, or images of my various favourite things (see: graveyards, gasometers, pigeons, dead creatures, etc.). These images may be accompanied by a post discussing the image, my thoughts about creating it, information about what inspired it, or no text beyond the title.

  • New instalments of my postcards from another’s life project. These were originally being created as part of my 100 Days Project in 2018 and being posted to Instagram first, but I’m now making these available as early access posts for patrons only as I create them, seven days before publishing them to Instagram and my other profiles.

As I go along, more projects will likely appear as early access or patron-only. This is just the beginning.

Access to patron-only posts - some patron-only indefinitely, others early access - starts at US$1.50 a month, so it won't break the bank if you’d like to get the inside scoop.

There are more tiers if you want further benefits like print discounts, a postcard, the opportunity to be part of my creative process, or loyalty rewards for being a patron for at least three months. The current tiers are my first thoughts on what folk might appreciate, but I’m open to suggestion on how to improve them.

Thank you if you do decide to become a patron. And thank you for following my work if you don’t.

*Those who know me will know I like a good pun and/or play on words. The title of my post isn't supposed to be presumptuous or make you feel under duress to become a patron, I promise.
In patreon, england, projects Tags new forest, new forest pony, animal
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untitled #29

animalia

April 1, 2019

Two of my images are included in issue #94 of F-Stop Magazine, Animals.

In f-stop magazine, publications Tags highland cow, animal, wilverley plain, new forest, england
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‘where the light plays’ in shots magazine issue #142: fading light

fading light

February 5, 2019

After a really long and tiring day, I arrived home tonight to find the latest issue of Shots Magazine, #142: Fading Light, had arrived.

And, lo and behold! My self-portrait where the light plays, taken during my residency at Hospitalfield in 2011, has been published as the main spread!

[Apologies for the terrible quality of the photograph of the spread in the magazine. The magazine is much better quality and you should subscribe to it for all the wonderful work they include each issue.]

In hospitalfield, interior / exterior, publications Tags shots magazine, self-portrait, nude
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untitled #267 [shady rest]

alternative portrait at night

February 2, 2019

Four of my images from the series ‘i’m not here’ are included in issue #93 of F-Stop Magazine, Alternative Portrait.

Belatedly, one of my images was also included in issue #92 of F-Stop Magazine, At Night.

In publications, i'm not here Tags f-stop magazine, shady rest, dresses, hills hoist, new south wales, australia
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untitled #216 [highgate cemetery - west side, highgate, london, england, united kingdom]

movin' on up

December 31, 2018

Here we go again… It’s the time of year, in these last remaining hours of the current one before we turn over into the new one, where I take my annual look back on how quickly yet how slowly this year passed; what I did and didn’t get done; and how many steps forward and/or backward I took.

All in all, 2018 was the best year I’ve had for a while, though it inevitably had its ups and downs, like any other year.

I did manage to improve two things this year: regaining a better work-life balance and posting more to my blog thanks to my 100 Days Project (which is still in progress, so not quite following the 100 consecutive days element).

so when the glitt'ring queen of night

And I even managed to take some ‘proper’ self-portraits like the ones I described in last year’s wrap-up blog.

Inevitably the most consuming part of my year, though according to my Sleep Cycle stats, the most stress-free and relaxing part of my year (my sleep quality during that period increased to 80% from an average of 59%, and my time in bed increased to almost 7 hours from an average of 5 hours 48 minutes) was visiting the South Island of New Zealand for the first time to be a bridesmaid for my friends Erin and Nick; and returning to visit friends and family in the North Island of New Zealand, as well as Melbourne and Tasmania.

erin & nick’s wedding, photo by grace bolton photography

Apprehensive but excited about being a bridesmaid for the first time, I was lucky Erin and Nick were so organised and managed the whole intercity coordination of the bridal party so well. Apart from looking hilariously wobbly walking down the grass aisle in heels first ahead of the bride, I think I managed to carry out my duties fine and it was wonderful to see two of my friends tie the knot after so many years. It was also a chance to make good friends with the other two lovely bridesmaids, Liz and Kirsty, and get to know Erin and Nick’s families a little.

untitled #26 [rakaia gorge, new zealand, 2018]

Though the schedule and long distances of travel required for the wedding (zipping between Christchurch, Timaru, Hanmer Springs and Windwhistle) didn’t allow for too much sightseeing in some respects, I did see quite a bit of countryside along the way. Enough to know I need to pop back to the South Island sometime for more exploration!

untitled #49 [wellington, new zealand, 2018]

The few days I was able to stop over in Wellington were also a lovely chance to catch up with new and old friends and catch Wellington at its signature blustery best. It was wonderful to fleetingly catch up with Hugh and meet Kenno and Janno over a delicious dinner discussing robots and filling in blanks between cryptic Facebook updates.

monty birch

Similarly, catching up with Debbie and her family was a nice relaxing interlude after the wedding, full of wine and late night nattering over old times. Waking up to my new, inquisitive friend Monty was also a joyful way to start the day. I seriously considered popping him in my suitcase…

nighthawks [collingwood, victoria, australia, 2018]

Despite moving around so extensively during my life, the place I’ve lived longest so far has been Melbourne at a cumulative count of about 18 years. I’d not been back even for a visit since June 2010 but, suffice to say, if I were to feel homesick for Australia I figured Melbourne would be the place I would feel it.

But sorry, Melbourne, I didn’t. It was lovely to visit old haunts, discover new haunts, and more importantly, reconnect with many friends I hadn’t seen face-to-face in too many years, but I only felt a fond affection, no longing, for the city I spent so many years in. Once more my affection for London as ‘home’ was reinforced.

‘mass’ by ron mueck [ngv triennial, national gallery of victoria, melbourne, victoria, australia, 2018]

Having said that, Melbourne was, unsurprisingly, wall-to-wall with catch-ups, which was wonderful. I squeezed as many people into my time there as I could (and squeezed them, when I could), and managed to fit in a dance at an indie night; a couple of exhibitions including the NGV Triennial; a friend’s gig; and visits to old and new haunts.

untitled #147 [redwood forest, east warburton, victoria, australia, 2018]

Thanks to fellow photographer, Anthony Schroeder, I also managed a day trip out to the redwood forest in East Warburton with two lovely ladies (one heavily pregnant at the time), Jess and Preethi, and a stop-off for a pub lunch with Chris and his now-fiancée, Helen. The day out provided just the right level of calm amidst a frantic sea of brunches, lunches, cheeky pints, dinners and nightcaps.

untitled #212 [burgess cove, tasmania, australia, 2018]

After only a week in Melbourne I popped down to Tasmania to visit with my parents and catch up with my Uncle John and his partner, Verna, who timed their visit to coincide with mine.

My parents had sold their home in Redland Bay, on the outskirts of Brisbane, just as I was finishing my last visit to Australia in mid-January 2013, so it was my first time in their new home and only my second time in Tasmania, in a different part of the island to where I had visited in 2002, shortly after my return to Australia.

untitled #73 [rainforest walk, cradle mountain, tasmania, australia, 2018]

Though lengthy wandering was not on the cards with my Mum’s reduced mobility, my Dad and Uncle ensured I saw quite a lot of the countryside while I was there, and we were lucky to see quite a lot of wildlife.

My camera got quite an extensive workout while I was in New Zealand and Australia and I’m still working through the photos from my trip.

Thank you to everyone who managed to make time to meet up with me in both New Zealand and Australia, whether the odd one-to-one or the cluster of friends descending on a bar, pub or cafe in various parts of Melbourne. Thank you to Erin and Nick for inviting me to be part of their big day, and thank you most of all to my Uncle John for making my visit possible. I may no longer call Australia home, but it and my friends there still hold a special place in my heart.

As if a one-month trip to New Zealand and Australia weren’t enough for one year, I managed to sneak in day trips and weekend trips with friends and/or to visit friends in:

untitled #2 [southend-on-sea, essex, england, united kingdom]

Southend-on-Sea,

untitled #23 [wilverley plain, new forest, england, united kingdom]

the New Forest,

untitled #73 [durdle door, dorset, england, united kingdom]

Durdle Door,

untitled #9935 [west pier, brighton, england, united kingdom]

Brighton (times two),

untitled #13 [cambridge, cambridgeshire, england, united kingdom]

Cambridge,

burgers & dogs [dreamland, margate, kent, england, united kingdom]

Margate for ‘Screamland’ at Dreamland,

untitled #8 [river great ouse, bedford, bedfordshire, england, united kingdom]

and Bedford.

I gladly took my camera along for most of those trips, so have plenty of photos to work through.

This year was not just one of meeting up with old friends, but of making new ones, and I also finally emerged from a bit of a stasis to entertain the idea of ‘a serious relationship’ again.

simon

Enter Simon who has an uncanny sense of the sort of things I love that he can show me in and around London and beyond, including:

‘secret’ nuclear bunker [kelvedon hatch, essex, england, united kingdom]

a ‘secret’ nuclear bunker in Essex;

untitled #20 [parkland walk, london, england, united kingdom]

a parkland walk following an old railway from my neighbourhood to Highgate;

love sweet love [god’s own junkyard, walthamstow village, london, england, united kingdom]

a neon heaven in Walthamstow;

notice [chislehurst caves, chislehurst, london, england, united kingdom]

chalk caves in south London;

untitled #1528 [holly lodge mansions, highgate, london, england, united kingdom]

a 1930s mock Tudor council estate I somehow missed just nearby to Highgate Cemetery (which I became a Friend of earlier in the year); and an endless list of gorgeous pubs.

I’ve also spent far more time in the ‘great outdoors’ this year than previous years.

untitled #3 [trent park, cockfosters, london, england, united kingdom]

Wandering through woods and parks;

untitled #65 [lumiere london, kings cross, london, england, united kingdom]

enjoying the lights at Lumiere London;

untitled #79 [albert road gas works, new barnet, london, england, united kingdom]

and finding or being introduced to new gasometers before they are inevitably removed from the London skyline.

So, here’s to 2018, and here’s hoping 2019 continues the upward trajectory I’ve been on the past couple of years.

Here’s hoping it’s also onward and upward for all of my family, friends and any lovely people reading this. I raise a toast to you all x

untitled #708

Oh, and I also took a load off my shoulders, finally.

In life, photography Tags self-portrait, wedding, rakaia gorge, wellington, monty birch, dog, redwood forest, east warburton, simon, travel, portraiture, landscape
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fairy stories

fairy stories

September 2, 2018

As she flicked through the brightly coloured pages, the smell of the paper, the ink on paper, wafted into her nostrils in great waves. It drew her back. Back to the sunny front room of her family's home in Aspley. The sun falling on the pages of the book of fairy stories her grandparents had given her for her sixth birthday. She lay on her belly, propped up on her elbows on the green and black mattress of the stacked beds in her mother's sewing room. She was utterly engrossed by the tales of witches, evil stepmothers, princesses, princes, cats, wolves, frogs, soldiers, giants, pigs, bears, genies, elves, dwarves and birds of many varieties.

Since learning to read she had devoured books. She completely lost herself in the worlds they created. Even when there were no pictures to accompany the words she could see the imaginary worlds in her mind's eye. The faces of the characters, the houses they resided in, the cities they inhabited.

At six years of age, of course the concept of princes and princesses was alluring. She asked her mother how you became a princess. Her mother told her you had to have blue blood. She pressed her fingertips against the veins in her arms and swore the rivers that flowed below the skin were blue, but whenever she grazed her knee in the yard or the doctor took blood it was always, disappointingly, a deep crimson colour. Not blue at all. She had not been born to be a princess.

As she grew older she learned more about fairy stories. Their origins as warnings to children about the dangers of nature, of predatory adults, of greed, sin, pride and such. She learned the stories she grew up with were sanitised, censored, made palatable for consumption before bed without driving small children to nightmares, though originally they were intended to strike fear to the very heart of children to keep them close to home and out of danger. The darkness that inhabited the original fairy stories was muted to a dark grey, instead of a deep, deep black. Gruesome endings became happy. Good conquered evil, always.

As she grew older she grew to prefer the darkness of the original stories. There was more reality in the original stories, though they were often heartbreaking. The darkness of the stories drew her in much more than the saccharine, over-bright palate of the stories she read as a child.

She wanted less and less to be saved by a handsome prince, and more and more to save herself. Or be an intelligent woman and avoid any of the traps that befell those princesses in the first place.

She grew up to learn the reality of princes and princesses was one of decisions made for them by others. Everything was strategy and allegiances; not love. For all the romantic stories she grew up on, history told her those were just stories. The realities were about diplomacy, alliances, war, peace, and cold, hard cash. Most princes and princesses were puppets without the free will to choose their love, to choose their lovers.

And yet, the myth of the perfect, all-encompassing love continued to endure in her mind. It pervaded everything, blinding her to the realities of this imperfect world she inhabited. A world that shared more in common with the original brutal fairy tales of the Grimm Brothers and their compatriots. A world not easily drawn into the whims of a ceaseless romantic who truly should have outgrown this fantasy world well before now.

And yet. And yet she grasped onto this ideal with white knuckles.

She built a castle around herself. She secured the moat, drew up the drawbridge, surrounded herself with soldiers to keep this ideal safe away from the bruising realities of life. Perched on a mountain top, she surveyed the lands around and wondered from which direction this one true love would emerge. She gazed across the lands around her, wondering when it would emerge. She waited. And waited.

And still, somehow, the cynicism that drew her away from dreams of princes and princesses and fortunes and kingdoms and all of that pomp and circumstance didn't seem to dim her belief in something she had still yet to see or to have known to even be sure that it existed. Her belief in logic, in fact, in truth; that all took a back seat to her undying belief in something more when it came to love. Despite her better judgement.

In minutiae, england, projects, writing Tags fairy stories, castle, miniature, southend-on-sea, essex, england, united kingdom, the 100 day project, 100 days in words and pictures, postcards from another's life, 750 words
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nesting

nesting

August 29, 2018

She stumbled toward the edge of the forest. Broken, bewildered, disoriented. She wasn't sure quite how she got here or quite how she was going to get home. She wasn't really certain of anything, of anyone. Of herself.

As she entered the forest, the birds gathering on branches above her called to one another. An insect hum provided a white noise bass line to their melody. The snap and crack of branches underfoot as she walked further into the forest created a syncopated, faltering percussion.

As she walked by one of the redwoods, she stumbled, her bare foot catching on a fern frond curling across the forest floor. She reached for the strong, thick old trunk of the tree; grasping it to catch her fall. Though the bark of the tree scraped skin from her forearms as she embraced it to stop from falling, she held it tighter as she regained her footing, as though her life depended upon it (and maybe it did).

She turned and leaned her back against the tree’s trunk, listening to the sounds above her. She closed her eyes and let the sounds - primarily the birdsong - wash over her. She became vaguely aware of the sap from the redwood’s trunk dripping at a seemingly glacial speed onto her shoulder as she stood, mesmerised by nature.

She shook her head, brushed her wild mane of hair back from her face, opened her eyes and looked around her. Eyes lingering on the eternity of trees stretching out in front of her, then the glimpses of sky through the canopy overhead, then falling on a cluster of mushrooms at the base of the trunk of the next ancient, towering tree.

She wove her way through the forest like a somnambulist. Dazed, her eyes unfocused. She felt like she'd somehow ended up being the last person on earth. She felt isolated, yet liberated. Free from other people, the crowds, the harsh sounds of the city. Surrounded by creatures possessed with the gift of flight, of music; self-sufficient in nature, without any need of humans.

She watched as a squirrel scurried across the forest floor and ascended to a branch to hoard its findings. She watched ants moving in armies up and down the length of a tree trunk, carrying morsels from the undergrowth into a knot in the wood. She envied them the simplicity of their lives. The ordered way in which the ants collaborated and cooperated. The home the squirrel had made overhead.

As she walked, she stooped from time to time to gather up some of the larger fallen branches until her arms were full. She moved toward a nearby clearing and carefully arranged the branches on the ground. She gathered more branches, not really thinking closely about what she was doing, just following some sort of instinct; a calming instruction sent directly from her mind to her limbs. She moved back and forth between the trees; selecting, collecting, depositing, nesting.

After a time the branches took on a form; a circular, welcoming shape that drew her in, made her feel more calm, more settled. At home. She continued adding to her construction, not thinking, just doing. Like the ants, but alone. The placement of the branches methodical, precise, yet appearing haphazard. The curve of the branches raised on one side and lower on the other; like some sort of pottery dish moulded by an amateur not yet skilled in the art of ceramics.

She paused as she approached her construction. Surveying it to assess whether it needed anything further, or was it complete? A gentle smile touched her lips as she decided it would do perfectly.

Her bare feet raw and stinging from walking back and forth across the forest floor; across twigs and branches and the odd soft cluster of fallen leaves and scattered fern fronds. Her shoulders and back warm with a satisfying ache from bending, lifting and carrying. She stepped into the circle of branches, bent her knees and gently placed her arse, thighs and lower back against the curve of the side of her construction, and leaning to one side, moulded her spine along the wall of the nest. Her hair tumbled over her face, obscuring her vision as she closed her eyes and the sound of the birdsong seemed to lift in her ears. She wrapped her arms around herself, embracing her aching body.

As she lay there in the forest, the thick smells from the undergrowth seeped into her nostrils. The smell of the wood, the soil, the musty smell of the mushrooms growing nearby. In her ears the continuing call and answer of the birds overhead, the hum of insects echoing across the space.

As she curled into herself further, one sentence gently circled in her mind: I am home.

In self-portraiture, melbourne, projects, writing Tags self-portrait, figure, nature, nest, redwoods, forest, warburton, victoria, australia, the 100 day project, 100 days in words and pictures, postcards from another's life, 750 words
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so when the glitt'ring queen of night

so when the glitt'ring queen of night

June 11, 2018

"So when the glitt'ring Queen of Night,
with black Eclipse is shadow'd o'er,
the Globe that Swells with Sullen Pride,
her Dazzling Beams to hide;
does but a little time abide,
and then each Ray is brighter than before."

'so when the glitt'ring queen of night' from
'the yorkshire-feast song' - henry purcell

In interior / exterior Tags self-portrait, bed
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the disposition of the linen

the disposition of the linen

June 11, 2018
In metanoia Tags self-portrait, bed
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into the blue

into the blue

April 10, 2018

They walked together in the cold dusk air in silence. Holding hands, gazing up at the clouds moving across the sky. The clouds transforming, breaking apart and reforming, moulded by the wind before their eyes. The blue hour came and went as they walked along the beach; a layer of sand clinging to their damp feet, the excess falling from their toes as they walked. The clouds, at first plump and white before sunset, became thin and wispy and moved at the whim of the salty night air. As the sky darkened and the sun disappeared below the horizon the clouds became less and less distinct from the sky. But as the moon rose in the sky and the clouds moved between them and it, the moon’s glow picked out the frayed edges of the clouds. They watched as the shapes of the clouds morphed, reminding each of them of one thing then another.

As they moved through the club, the music so loud they felt it in their bellies, the lights moved through their cycle of colours. Pink, red and yellow, then green, violet and blue. The strobe pulsed with the bass. Lighting up the dancefloor like a camera flash; capturing still moments while dancers moved in time with the music. She led him by the hand as they walked through the crowded club. They made a bee-line toward the dancefloor sticky with spilt drinks and humid from the sweat of so many bodies in such a small space. The smoke machine by the DJ's booth belched out coconut-scented smoke, masking the odour of so many sweaty bodies and the scent of sex. They danced for a while; favourite songs pouring out of the speakers. Their bodies in rhythm with each other from so many nights spent together on dancefloors around town. When they'd had enough they collapsed into each other on a stained and worn velour couch that's original colour was now hard to discern even when the house lights went up at 5 am. They sank blissfully into the couch and each other's arms.

They sat on the sand, the headlights from his car providing light for them to see each other by. Rugged up in coats and blankets, mittens and beanies, they curled up close to draw heat from each other. They couldn't light a fire on the beach, so they shivered in the spotlight of the low beams, watching the fog drift in from the sea and their warm breath billow against the cold night air. They giggled together as they attempted to blow smoke rings into the sky. The car radio, picking up the only station nearby, played a mixture of golden oldies, and love songs and dedications. They pressed their faces, blushed pink from the cold, together in an attempt to bring feeling back to flesh. Their warm breath mingled and rose into the cold night air as though from one person. They lay back to stare up at the cloudless sky and the stars overhead as the classic hits continued to pour from the tinny speakers in the car’s dashboard.

Their clothes were strewn behind them, discarded on the sand like breadcrumbs in fairytales, as they ran through the rain toward the waves. The beach was deserted this time of night, especially in this inclement weather. There was no one around to see their antics or their naked bodies as they ran into the water. The water still warm from the heat of the sun earlier in the day, but cooling on their skin. They waded together and splashed each other with the salty, foamy water as they moved into the shallows. As they sauntered further in they savoured the lapping tide moving against their bodies and the rain falling on their bare skin. The water now up to their waists, they clasped hands again and moved out until the water was almost up to their shoulders. They leaned their heads back in the water, lifting their feet off the seabed, floating with eyes up toward the sky. After allowing their bodies to float for a while, they swam together, heads under the water. They rolled over in the water from time to time and opened their eyes to look up at the night sky through the waves. Watching the ripples of moonlight and the lights along the boardwalk refracting through the water's surface. Marvelling at the patterns and shapes of light drifting through the water. Lost together in the beauty of the moment and submerged in their muted underwater world.

In london, minutiae, projects, writing Tags lumiere london, blue, abstract, night, the 100 day project, 100 days in words and pictures, postcards from another's life, 750 words
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on the rocks

on the rocks

April 9, 2018

I watched you as you talked. My eyes read your lips as you spoke, though I could hear every word. When you paused my eyes rested on yours; watched your eyelashes as you blinked and squinted in the sunlight. In the longer pauses, I let my eyes leave your face and follow your gaze out to sea.

We'd found a quiet spot above the rocks by the water, nestled away from joggers, dog-walkers and cyclists. The sandy patch where we sat was too small for strangers to feel comfortable joining us. Couples peered down from the path from time to time but moved on to find their own secluded space along the waterfront when they saw us.

We hadn't sought out somewhere private, isolated. We happened upon this spot, and from the path above noticed some interesting rocks. Gun-metal grey pebbles worn smooth by the high tide. The sun-bleached bones of a bird. The latter drew us down here for a closer look. After balancing on rocks inspecting the skeleton we gravitated to the sandy patch of earth behind to continue our conversation.

It was one of those slow, lazy, relaxed conversations old friends have. The ones that nestle on comfortable silences. The kind that comes easy, flows smoothly but drifts off into natural silences from time to time. This is how we talked most times we caught up. Especially on long summer days when we didn't have to be anywhere in particular. Though from time to time we'd meet at a bar and talk over each other in excited bursts. Especially when we hadn't caught up in a while and there was a lot to tell.

On a day like today where we both found ourselves on a break from work, we would meander along the coastline. Enjoying the sea breezes. Seeking out creatures, living or dead, amongst the rocks. And talking like this.

But today felt different. From the first moment we met and hugged, as we did each time we met. Something unspoken seemed to be between us and this time it didn't feel like it was only from me. As soon as I thought that, though, I brushed the thought aside. Wrote it off as my imagination. An overactive mind. Dismissed it completely. Or so I thought.

Then, as we sat by the water talking about everything and nothing, skimming grey pebbles across the soft, low waves, the feeling came back. As the sun became stronger at the peak of the afternoon we felt lazier and both lay down. Our knees bent, our forearms resting across our eyes to shield them from the sun. Without thinking, we'd ended up laying down side-by-side. But that was never a big deal before so, again, I brushed the thought aside. We were comfortable together. And it made conversation easier as the sound of the waves grew louder in our ears.

But then, laying next to you, a little more relaxed from our time in the sun and the sneaky pint of cider I'd had over lunch, every movement felt magnified. More significant. As we spoke about memories from years ago, your hand gently slapped my thigh as you broke into peals of laughter. As your palm connected with my skin, it felt like a jolt of electricity. I tried not to flinch or show any outward sign of how it made me feel. But the feeling coursed through my body to other places, out of my control. I laughed with you, distracted. I wondered if you'd noticed. But then a plane flying overhead changed the course of our conversation. And the moment passed.

As we talked, I snuck furtive, sidelong glances at you. Trying to figure out if my senses were right or if it is was the sun addling my thoughts. You continued to talk to me as you always did. And again I brushed aside the sense that anything was different. I listened to the sound of your voice; so familiar, calming, warm.

The tone of your voice leapt as you remembered a night we'd gone out together many years ago. Your voice was full of laughter as you rolled over onto one elbow to face me; to observe my expression as you reminded me of it. I removed my right forearm from one eye to watch your animated face as you spoke, whilst still shielding my gaze from the sun's harsh light.

Before I had time to think, my left hand sought out yours resting on the sand next to me. My hand curved around yours. Clasping it gently, but at the same time conveying everything I was feeling. I pulled my right arm away from both eyes now, gazing straight into your eyes. I held my breath for what seemed like an eternity.

In new zealand, projects, writing Tags caroline bay, timaru, shoreline, the 100 day project, 100 days in words and pictures, postcards from another's life, 750 words
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colour theory

colour theory

April 7, 2018

It started slowly at first. Shoes, of course, were a given. Socks were par for the course, though she always ensured they were as close to the original pairing as possible. Being the same colour and style wasn't enough. They needed to be of a pretty exact equal length, equally worn. At least bought at the same time, even if it wasn't possible to ensure they were a 100% matching pair from those bought.

She rarely owned matching knicker sets. Apart from the few sets of His Pants for Her pastel no-underwire bras and panties she had in early high school. Most days she could only match her blacks and her whites when it came to her bra and knickers.

So she settled for matching her tops, knickers and socks instead, where she could. If she wore a red top, you could be certain her underpants and socks were also red. If she wore a blue, black or white top, her socks and jocks would match. If she couldn't match them, she at least tried to work with complementary colours. In those days, her wardrobe consisted of blue denim and corduroy jeans, black trousers, black skirts (often worn over the trousers), a scuffed-up pair of 8-up Docs, and a navy blue pair of scuffed-up Converse One Stars. Variety in terms of colours was restricted to her tops, underpants and socks.

The colour-matching of socks, jocks and tops became a bit of an obsession. Sort of like a lucky charm wrapped around her to get her through the day; keep her safe. And it stretched on for many years until finally, she settled on a favourite skirt style and her mother offered to make her skirts for work based on that.

Standing in the fabric store with her mother she picked out various shades of blues and purples, and a burgundy. Her mother matched the material with lining and disappeared into her sewing room to make the skirts for her. Voila! A full week's worth of skirts and a variety of tops to match with them. At that point, her colour coordination obsession really started to amp up. She still had plain black or white shirts. But now whenever she went looking for more tops for work she would ensure they complemented the selection of colours from her collection of skirts.

Pretty soon she had her top and skirt combos down pat. A bit of switching between tops depending on the weather, the season, or her mood, but she had a colour-driven uniform. Her opaque tights and her shoes were still black, but from neck to knee she wore one colour, sometimes just one tone.

When she wore dresses they were vibrant and colourful vintage dresses or pastel 'granny' dresses found in charity shops. In the warm Melbourne summers she rarely wore tights, but in winter she would pair dresses with black opaque tights.

Until she discovered a treasure trove of vibrant and colourful opaque tights in a local mall and fell in love. By this point, the arse had literally fallen out of her last pair of secondhand men's Levi 501s. That gave her the perfect excuse to buy a pair of opaque tights in every colour (except yellow or orange, because ugh!) She even managed to overlook the misspelling of the brand of tights as 'Tention'.

In high school and college, she favoured black and white film for her photography. She found colour distracting from form and composition, and felt her colour work was always weaker. More likely to be 'record' shots than anything creative. In the moment, all she could see would be the colours. But when she got the prints back, all she would see was the bad composition and lacklustre images. Her wardrobe had always been pretty colourful, but that sense of colour hadn't managed to translate into her photography.

Now she started visualising photographic ideas with colour as the starting point. Her self-portraits and portraits were often inspired by an outfit or a setting, and without fail, that usually came with a particular colour. The colour of the material; the colour of the interior of a space; the colours of the landscape. She learnt to work with the colours first so they were integral to the image, but didn't distract from it. Remembering the colour theory she'd studied at college, she could now create a palette for a shoot before raising the viewfinder to her eye or setting up her tripod.

By the end of her self-portrait project, she'd fallen in love with green with red, green with pink, and pink with red. And blue with orange, blue with pink, and blue with red. And blue and green, though others told her they should never be seen without a colour in between (for what it’s worth, the sky and trees beg to differ).

As soon as she thought about a new-old dress she'd bought at a charity shop she could think of exactly where she wanted to set her next self-portrait. The ideas would bleed into her mind in full colour.

And then she moved back to London. And rediscovered Hush Puppies. And fell in love with colour even more than she already had been. Her work days were head-to-toe colour. Solid blues, reds or purples. Vibrant colour combinations. Or a single eye-catching accent colour to brighten up a black dress and shoes.

That obsessive colour-coordination may also have seeped into her home with linen matched to wallpaper, paint or photographs hung on the walls.

She surrounds herself with colour.

In self-portraiture, projects, writing Tags self-portrait, green, the 100 day project, 100 days in words and pictures, postcards from another's life, 750 words
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in dreams

in dreams

April 6, 2018

Another restless night. She doesn't know any other sort of sleep. She doesn't always wake from sleep during the night, but often the act of sleeping is more tiring than not sleeping.

Her dreams are, by turns: disturbing, hilarious, heartbreaking, nostalgic, violent, melancholy, full of love, full of anger and frustration, sad, arousing. Sometimes they are all that at once. They are always vivid and full of passion, whatever the overarching sense is.

Sometimes she wishes she didn’t feel things so intensely, even in sleep. But when friends or family tell her they don't dream — or at least they don't remember their dreams — it makes her feel sad for them. She would never want to stop dreaming, or to stop remembering most of her dreams. Despite all the ways her body physically ties in knots during the night. Despite all the ways her mind mangles itself as her eyes flicker under their lids in the dark. She would never will that other world away; want it gone.

The tension in her muscles. The ache in her bones. The tangle of nerves under her pale skin as her body physically responds to what is happening in her dream (or is the storyline in her dream dictated by the sensations in her resting body as it recovers from the previous day, week, months?)

She feels the emotional and mental sensations of her dreams through her body as she sleeps and wonders that it remains mostly prone while she’s unconscious. She wonders that she doesn't wake up physically entangled by her bedsheets, imprisoned in them, given the way her mind and heart often feel when she wakes from dreams in tears or in anger, her throat dry and hoarse as though she’s been screaming or yelling in reality as well her imagination.

From time to time she’s awoken by her own voice, albeit trapped in the back of her throat. She wakes to uncontrollable tears. To shaking; to breathlessness or ragged breathing; to unutterable fear and a racing heart. That one time she woke to laughter, her own, opening her eyes to find her partner staring at her through the morning light, incredulous at the sight of someone laughing in her sleep.

She dreams of sleepy, but impassioned, entanglements as her body lies beside another. So vivid that when she wakes to find them breathing deeply, sleeping soundly, she’s startled it was just a dream. The pleasurable ache between her legs lingers for long moments after waking, making her question everything around her.

Most nights her body temperature rises. She sleeps lightly clothed, aware that too much material close to her skin will cause her to overheat. Will cause her to wake in the night, her hair a damp mass encircling her neck, strangling her.

Other nights she shivers, feverishly, though the night be mild. Conscious of the need to add layers, she nevertheless dreads uncurling herself and unwrapping herself from her bedclothes to venture into the fresh night air to find more clothing. She curls into herself, knees drawn up to belly, elbows and wrists aligned, cupped hands clasped together and nestled between neck and pillow.

She dreams of houses she's lived in and those she can only dream of living in. She revisits houses she's never physically stepped foot in, but that she remembers from other dreams. Houses of many rooms, and many corridors twisting and turning. Lavish in parts; derelict in others. She makes her home in them or moves from them. Oftentimes they unexpectedly fall apart, become derelict, or she simply finds herself evicted.

For months before and after travel she dreams of planes and missed flights; of being far from home; of uprooting her life yet again to other shores.

She dreams of family long gone as though they weren't. Those dreams are often the hardest, as it's like saying goodbye all over again as she wakes.

She learned years ago that if you force yourself to wake from a bad dream to escape it, you need to fully wake, rouse yourself completely from the dream, or you will fall back into the same dream. But if you are woken prematurely from a beautiful, pleasurable dream, you can never just fall back into it, no matter how you let your mind run over the memory of the dream as you fall back into slumber.

Her mind is a tapestry to be woven then picked apart. An embroidery to be carefully created with fine needlework only to be tattered with sharp blades. It creates its own reality, then breaks it up into a million pieces. All within a matter of hours. Every night.

In self-portraiture, projects, writing Tags self-portrait, movement, nude, bed, dreams, the 100 day project, 100 days in words and pictures, postcards from another's life, 750 words
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family tree

family tree

April 5, 2018

As children, we spent regular weekend visits climbing the trees by North Pine River. I didn't know the name of the river then, and it didn't really matter. My brothers and I were more interested in the trees and the pine cones that fell from them. We would throw fallen pine cones at each other as we ran around the sprawling thick roots of the trees by the house. Roots so thick and sprawling that young children could hide between them. Nestle into the dirt between the roots as though nestling between the craggy, spindly fingers of an ageing giant. Which they kind of were.

My childhood memories are full of trees like the ones by our great-uncles' homestead.

The ones on the front perimeter of the Headmaster's house where our uncle lived in Jimboomba. We climbed them and collected fallen pine cones from them as well.

The paperbark tree on the front lawn of our grandparents' house on Northbourne Avenue. An end-point of my infinity-symbol-like cycle circuit as I listened to Madonna's 'True Blue' album on repeat (the other end-point being their Hill's Hoist).

The mulberry tree on our front lawn in Aspley. I regularly raided it for ripe fruit, causing my mother to sternly caution me 'Don't. Touch. Anything!' as I walked into the house, my hands and mouth stained a dark purple.

The beautiful, white-flowered frangipani tree on the footpath near our home in Darwin. Another tree I climbed; another sanctuary. Though briefly a possible threat to our home when Cyclone Gretel swept through town.

The visits to the homestead in Petrie were ones we kids enjoyed, though I never ventured into the house. The closest I remember being able to get to the interior was standing on one of the entry staircases, a few steps behind my parents. The stairs led up the exterior of the house which stood on stilts. I remember Dad talking with Jack and Bob, and the piles and piles of newspapers they hoarded in the house and on the verandah.

To a girl of five or six, the house smelled of old men and stale cigarette smoke. It was intriguing and mysterious, but seemingly out of bounds. I'm still not sure if we were kept out of the house because of my parents' concerns about us seeing the state of the place. Or if it was because of my great-uncles' discomfort with young children visiting. Or because my parents considered it unsafe for us to venture into an old rickety Queenslander overwhelmed by the hoardings of two war veterans.

So we played outside together while the adults talked. Our great-uncles ventured down to the lawn sometimes. Other times they stayed up on the verandah, and my dad and uncle would climb up to catch them up on family news.

I didn't know or understand then why my great-uncles lived the way they did. I knew Bob was deaf and had been 'in the wars'. Not just figuratively speaking. I remember hearing the words 'shell shock', but not understanding what that meant until many years later.

I spent a lot of my childhood loitering around ancestors' homes without going inside; especially when it came to my great-uncles. Visits to another great-uncle's home involved us kids sitting in the back of our rust-coloured Honda Accord while my parents talked with them at the gate at the end of the drive.

My childhood memories are littered with visions of adults squinting at each other in the sun. The lines on their faces etched into their skin by hours of this interaction. My parents, uncle and grandmother standing with other family elders. Each shielding their eyes from the glare of the Queensland sun as they caught up on each other's lives. It was nothing to do with our great-uncles' lack of etiquette or hospitality or their pleasure (or displeasure) in seeing our family. It was just how it was; some with reasons explained to us children many years later, some not.

One day we visited the old homestead in Petrie to find the house was a blackened and charred shell. One of my strongest memories is of the bathtub fallen through to the ground below. A stray cigarette not fully extinguished, a house littered with piles of old newspapers: textbook conditions for a house fire. It was shocking to see, but thankfully Bob and Jack were unharmed by the blaze.

As were the trees we circled around and around as children and which still stand to this day.

In queensland, projects, writing Tags tree, nature, old petrie town, queensland, the 100 day project, 100 days in words and pictures, postcards from another's life, 750 words
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